Imagination soars again

Imagination soars again

by Jon Rappoport

August 4, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

In life and in art, so many people believe that, if they use imagination at all, it should be in a cautious way, a limited way, a way that doesn’t stretch the boundaries too far.

This is looking through the wrong end of the telescope.

One understands how elastic and malleable reality is, to the degree he exercises his imagination to move past conventional limits and out into the wild blue.

In fact, reality is imagination that has been slowed to a crawl, coalesced, bundled up, named, labeled, and slipped into a coma.

The most ponderous reading I’ve ever done is in the area of Western metaphysical philosophy—and that subject is filled to the brim with ideas that move, if at all, at a snail’s pace—and there is a barely a mention of imagination in its entire history.

No surprise. Why? Because, if philosophers elevated imagination to its proper status, they would have to admit that all their absolutes were merely temporary stop-gaps on the ongoing road of infinite inventing. Such a confession would immediately put them out of work.

So these dragons of the abstract keep buttressing their concepts, keep digging impenetrable moats around them, keep shoring up the foundations, keep laying brick and iron—and yet, one painter, working somewhere in an isolated room, is upsetting the apple carts of whatever is supposedly nailed down and known about Universe and space and time. He is finding universes without end, in the midst of “stability.”

Civilization keeps sinking deeper into its own stagnant juices, looking to support more irrevocable absolutes—but the artist is cut loose from the whole struggle. He is a revolutionary inside every cell and nerve impulse.

He knows he, and what he is inventing, are endless. They don’t move or exist by virtue of any clock.

There is no birth or renewal without the artist.

In the same way, the future of every single human being depends on what he can imagine and invent. This fact cuts across all excuses and denials.


Exit From the Matrix


The world is always waiting for the next great flare-up of an individual’s life-force and creative impulse. This is the carrier wave, the frequency, the restless motion that moves souls.

There are some people who hear the word CREATE and wake up, as if a new flashing music has begun. This lone word makes them see something majestic and untamed and astonishing. They feel the sound of a Niagara approaching. CREATE is a word that should be oceanic. It should shake and blow apart the pillars of the smug boredom of the soul. CREATE is about what the individual does when he is on fire and doesn’t care about concealing it. It’s about what the individual invents when he has thrown off the false front that is slowly strangling him. CREATE is about the end of mindless postponement. It’s about what happens when you burn up the pretty and petty little obsessions. It’s about emerging from the empty suit and empty machine of society that goes around and around and sucks away the vital bloodstream.

In the soaring sky, in the muck of old rivers, in the garbage and detritus of fading civilizations, this force is always on the move, always transmuting delay into the new fire of what would otherwise never come about…

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

When consciousness wakes up

When consciousness wakes up

by Jon Rappoport

August 4, 2016

These are notes I made after finishing my collection, Exit From The Matrix, which contains over 50 specific imagination exercises and techniques, all aimed at empowering the individual:

“The individual may be focused on his own life and future, or he may be hoping to affect the course of life in a larger sphere; but whichever is the case, he needs to envision the future with the wide-ranging stimulus of his own imagination; otherwise his consciousness will keep operating within familiar and tight limits; it will keep ‘repeating itself,’ and energy will drain away.”

“Consciousness isn’t a field that remains the same. It isn’t a finished product. It moves dynamically, and it invents what wasn’t there before.”

“Consciousness can go through the motions, like a sleepwalker, or it can seek out new directions. When it pursues this latter course, it creates experience that would never otherwise exist.”

“Desire is always looking for a North Star, and it finds it in imagination. Imagination fleshes out what fulfilled desire would be like, look like, feel like. Consciousness pours itself into imagination and says, ‘Let’s go.’”

“The world is sitting in the middle of each person’s consciousness like a clue, a hint, an example of what can be created.”

“As a metaphor, consciousness could be thought of as the raw material of awakened imagination. It is the fuel for the engine of the creative impulse.”


Exit From the Matrix


“Status quo is the myth that says individual consciousness has a particular configuration. Consciousness is action waiting to happen, when you’re talking about the life and future of an individual. As soon as he begins to invent his future, consciousness stops waiting. It becomes arrows of perception and excitement aimed in the direction the individual is heading. It’s the great yes that outdistances any possible collection of no’s.”

“Consciousness is inherently poetic. It seeks new rhythms and flows and shapes and sounds and images that will add up to…what? That is for the individual to decide. But eventually he will discover that this poem of his own future has no end. There is no final sum or final stopping point. The process is endless. Endless is the ultimate ‘rock’ on which he can stand: the future he is inventing keeps going and expanding without limit.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Leaving Matrix: the Zen of Zen

Leaving Matrix: the Zen of Zen

How civilization short-circuits overflowing life

Language, desire, and mystery

by Jon Rappoport

July 27, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“Mathematics would certainly have not come into existence if one had known from the beginning that there was in nature no exactly straight line, no actual circle, no absolute magnitude.” –Friedrich Nietzsche, Human, All-Too-Human

A system is like a dream that always plays out the same way. Start to finish.

A robot would be a system. He can perform 100000000000 operations and each one is specific and bounded. And that’s all he can do, no matter how you dress him up.

There are a whole lot of two-and-three wish people in this world. A whole lot of five-and-ten wish people. Grant them their wishes and they’re done.

And that’s because they’ve made desire into a kind of system. It’s a sort of closed network. It’s tight. You walk in there and give them what they want and boom, they’re done. They’ve really got nowhere to go after that. Their energy peters out.

This is interesting—because it suggests—and you might want to chew on this for a while—that there is another version of desire that isn’t so tight and bounded…and if that is so, we are looking at desire as possibility. Not in the sense of “I see all the possibilities,” but in the sense of implication, metaphor, suggestion, open-ended X.

People tend to recoil from this. They want the Caddy with the big fins, and they want it now. They want the prettier fingernails, the new nose, the butt implants, and the island in the Pacific with the yacht.

At least that’s what they think, because they don’t have them, and they tend to define their future in those terms. So they’re yearning and longing and drooling.

But what if there is a whole other space, a whole other future that isn’t so simple? And what if its uncertain shape makes it even more attractive?

What if the poem you’ve read a hundred times, the one you never quite understood, is the one you admire the most? The one that sends your mind and imagination off in so many directions.

And what if this has something to do with what magic is really all about, and is a kind of magic that normally escapes attention? What if magic can be like this, can be a road with thousands of forks that take you into undiscovered territory you’ve never dreamed of before?

What then?

What if our programmed sense of what reality is, the precision and the definition and the thing-ness, is a diversion from what, underneath it all, we want?

What if the most subtle illusion about reality is the conviction that reality is an absolute IS separated from an absolute ISN’T?

What if that keyboard on your computer, which is so THERE on your desk, is only one KIND of there-ness? And another kind of there-ness is implication-not-fully-realized…and although you’ve always been quite sure you want the THERE of that keyboard and the yacht and the villa, you also want the implication-not-fully-realized…and you want it so much that it would fulfill the requirement of magic?

In other words, for all this time, desire has been, for you, a kind of closed system that is leak-proof and bulletproof, and that’s why it has remained unfulfilled.

Let’s say there are levels of desire. Level One is those things you obviously want. Level Two involves the exploration of undiscovered territory.

Analogy: you’re an archeologist, and all your life you’ve wanted to dig up a lost city—and then you do. There it is, all laid out in the desert. It’s what every archeologist is supposed to want. You’re supposed to feel a sense of finality. This is it. This is the realization of your prime wish. But instead…

You feel boundaries. You feel you’re inside something that has walls. You feel there must be something more.

And then you uncover, in a sealed repository, a dozen volumes of writing in a language you’ve never seen before. This language is built on mysterious connections that seem to be untranslatable.

Instead of hundreds or thousands or millions of nouns that name things; instead of verbs that show how these nouns are acting on objects; instead of that familiar pattern; you see this old civilization approached reality in a completely different way:

There are hundreds of words that refer to “flying.” Some of these words are involved with flying into other people’s consciousness and seeing the alive, electric energies that flow and move there. Some of these words mention persons having views of the earth from above and at ground level simultaneously. Some of these words refer to enormous poems that were written centuries earlier, and these poems were, for a time, ARBITRARILY frozen in mid-flight. Short selections were extracted and used to form the basis of organized religions, whose leaders were bent on control of populations—and then there were reformations and revolutions, and the original wild and free poems were sprung from their graves and brought out into the light again, and the religions fell and disappeared…

And now you, the archeologist, feel something bursting up in your own mind, a desire to explore THIS and go where it leads. You feel energized and galvanized in a way that far exceeds your experience of digging up the city and seeing it laid out end to end.

You sense implications that have no limits.

You wake up from a dream in which reality was defined and cataloged and shaped into systems.

For the first time, you understand how limited that dream was.

You realize you have been hearing the sounds of robots marching from horizon to horizon—and now those sounds are gone.


Exit From the Matrix


Simultaneously, you now experience a gorgeous peace and a Niagara of many unnamable cascades of desire.

The premise of limited desire is gone.

You are UNDENIABLY alive.

Finally, you see why you’ve never fit in, why you’ve never been able to accept the structures of society. Those structures are claustrophobic.

They are built to regulate and define desire.

Society expresses the average of all desires. But society also describes the numbers and types of desires that could possibly exist. It is a self-fulfilling prophecy.

And in this program and prophecy, society comes up short. As short as any number does, when contrasted with infinity.

You have never considered these things before. But now you do.

And you discover they are more real than rocks or buildings or planets or all the things you were quite sure made up the sum of all you desire.

Now you’re out in the open sea, where you never thought you would be, where you always thought you would be.

You’re there.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Does your energy increase or decrease?

Does your energy increase or decrease?

by Jon Rappoport

July 26, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

As time passes, as your age expressed as a number goes up, it turns out there are more and more excuses you can give yourself for having less energy.

This is rather fascinating, if you step back far enough to think about it.

There is a direct connection between the draining away of energy and the acceptance of excuses.

“Yes, this is a good excuse. And that one over there—that’s sensational. And here’s another one—I never thought of that before. Beautiful.”

Then there is the national and world “situation.” As chaos grows…that’s also an excuse for having less energy.

If you want to define abundance in terms of excuses, people are quite, quite wealthy. Perhaps, some day, the government will pay cash for each and every excuse.

Of course, doing what you really want to do in life causes energy to spring up out of nowhere. Tons of it.

So…it’s handy to have a few prime-cut excuses for not doing what you want to do—if you want less energy.

I’ve never been fond of the typical stories about ET aliens, about who they are and what they want. For example, I’d like to see a race that has marvelous amounts of personal energy. They would look at Earth and dub it the Planet of Excuses.

This race would have a genius inventor who finds a way to capture the energy contained in excuses and run it through electrical grids. Voila, Earth has enough electrical power to send into every city, town, and village from the North to South Pole.

Imagination happens to be the trigger for uncountable Niagaras of energy. At some point early in their lives, every inhabitant of Earth knows that. Knows it as clearly as he/she knows the sun is coming up every day.

But then the amnesia of “maturity” sets in.

In any large society, there comes a tipping point, when enough individuals are experiencing an abundance of self-made excuses and a significant overall lessening of energy…and at that point, a new consensus is reached: the main energies are going to be supplied by machines. People can’t do it. Machines are going to have to take over.

We’re getting there.

We would reach a moment when you could press a button, and your personal machine could lift the weight of half the sand on the Gobi desert. You’d watch it happen and think, “I love having this power.” Then you would sink back on the couch and watch holograms in the middle of your living room fight massive battles with each other.

Or…you could decide what you truly want to do in life, and do it.


Exit From the Matrix


In a 1978 speech, science-fiction novelist Philip K Dick remarked on the creative power/energy of groups versus the creative power/energy of the individual:

“Because today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms…it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

He did the same thing, but from a completely different vantage point.

What the individual invents always has a unique signature. Liberation is involved.

Moving toward liberation is another one of those actions that spontaneously brings large amounts of energy into being.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

The Magician Awakes

The Magician Awakes

by Jon Rappoport

July 25, 2016

Here is a set of notes I made in preparation for my collection, Exit From The Matrix:

“This Earth civilization is dedicated to the organization and re-organization of systems and people. The people operate inside the organizations. Thus, free-flowing, expanding energies are narrowed and bottled up. The individual finds himself in a labyrinth, which he tries to navigate. As he keeps trying to solve the puzzle, his energies lose their life-force.”

“A set pattern is like a broadcasting station. It sends out messages about how things and ideas should be built and connected. It’s a map that ultimately takes you back to the beginning of the journey. The ship goes out, and it comes back. What happened? The depletion of energy. That’s what happened.”

“Somewhere buried in consciousness is the individual’s sense of his own energy, what it feels like, what it can do, how far it can go. This is live energy. It is electric and it is waiting to be expressed. The world is here so this energy can be expressed.”

“The world doesn’t encircle the individual. The individual encircles the world. There are people who take great pride in denying this fact. Their denial of Self is their ‘religion.’ They want to vanish entirely. If they could somehow pull this off, they would suddenly emerge on the other side—as individuals again. And they would realize they had taken a grand illusion to its conclusion.”

“The vast array of toxic medical drugs imposes many negative effects. Energy is chopped up, depleted, disconnected, made into out-of-control storms, put to sleep.”


Exit From the Matrix


“At the core of individual energy is individual imagination. Imagination is high on the mountain, where the rivers start. It ignites the flow. It births something out of nothing.”

“Religions and spiritual systems are frozen poems. The poet wrote a 5000-page poem. The priest class picked up on a section of it, froze it, removed it, and made it into a cosmology and a doctrine. Meanwhile, the poet was three poems and 20,000 pages ahead of that.”

“The question of how far the individual is willing to reach to gain knowledge—that question is very much like: how willing is the individual to imagine and invent reality. In fact, they are the same question, in the long run.”

“Anything that is actual magic—is based in imagination. That is what magic is. When a person wakes up to magic, he is waking up to his own invention of reality.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Manifesting what you want

Manifesting what you want

by Jon Rappoport

July 21, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Much has been written about the so-called “art of manifestation.”

Some people have developed the notion that sitting in a room and thinking, in a certain way, about what they desire and snapping their fingers will deliver the goods.

They’re looking for a trick, like picking an ace out of a deck of cards.

First of all, there is a state of mind in which a person doesn’t get what he wants. Believing he can stay in that state of mind and perform some effective trick is a dead-end.

He has to change his state of mind.

But how? And what is the nature of the new state of mind?

All states of mind, to the degree they are quiescent, passive, and complacent, are unworkable.

Even more important, a state of mind isn’t a defined target at which you shoot an arrow, hoping for a direct hit.

What is needed is a new breakthrough into dynamic, active, wide-ranging consciousness.

And what does that mean?

It means tapping into and using imagination. It means “changing the basis of operation,” so a person is living through and by imagination.

“Living outward, creatively.”

“Imagining a reality you desire.”

And yes, working toward it. Working toward its fulfillment.

Imagine a thing, work toward making it fact in the world.

***But there is more. As person works in this way—still living through and by imagination—he will discover that the reality he is making into fact in the world is expanding. It’s growing new branches, as he imagines it more fully. More power therefore comes into being.

And more energy.

All this is light years beyond mere “visualizing.” It’s a life lived. And that makes all the difference.

That makes all the difference.

This life lived will spawn all sorts of astonishing synchronicities and spontaneous insights and beyond-normal capabilities.

The entire accumulation of everything that exists in the universe doesn’t contain the source of manifestation.

A person can attribute his own imagination to the universe if he wants to—in other words, he can imagine his own imagination resides there. But in doing so, does he therefore become more dynamic and active, or does he spend more time waiting around some cosmic bus station, quiescently, hoping for gifts to descend upon him?

Each one of us is a unique artist of making reality.

On that great road, all the great questions one has been asking are eventually answered as a spontaneous side-effect of taking the voyage.

Manifestation comes about through this life lived. This whole expanding life.

—What comes next is a piece I wrote on the law of attraction. I took the “law” apart because it still stands as one of the most popular “brands” promoting the art of manifestation. It needs to be understood…and having read this far, you already have a context in which to view it more clearly. Here we go:

The law of attraction: garbled fragment of a lost tradition—

There is no way to state the law of attraction with finality, because thousands of people have tinkered with it, and some of them earnestly believe they have the only “true” version.

I’ll present several of the more popular descriptions first, and then comment.

“The law of attraction is the name given to the maxim ‘like attracts like’ which in New Thought philosophy is used to sum up the idea that by focusing on positive or negative thoughts a person brings positive or negative experiences into their life…” (Wikipedia)

“The Law of Attraction is no scary science or heavy philosophy – it is all about turning good intentions into positive action. It really is as simple as that. Simple exercises like filling your thoughts, words and energies with positivity and possibility, knowing exactly what it is that you want and then simply ‘allowing’ the universe to flow.” (thelawofattraction.com)

“Someone has said, ‘the Universe has imagined it even better than you have.’ And we like to add to that: The Universe got all of its information about what you like from you, and it has remembered every piece of it and has put it together in perfect formation. And so, the things that are on their way to you are so much better than you even know that you want. And as you allow them, the essence all of these things that the Universe knows that you are wanting make their way to you and appear in perfect timing for you.” (abraham-hicks.com)

The first thing to notice about these formulations is that they have a major passive component. You’re just there, thinking good thoughts, and the universe delivers its gifts to you. Hello! Incoming! And the second thing to notice is how the universe itself is characterized. It isn’t planets, stars, and galaxies. It’s a mystic “everything” that is paying close attention to you. It’s an outside force that is ready and willing to pass along positive results in exchange for positive thoughts.

It’s no surprise that the law of attraction has flourished in modern America. The law, in its own strange way, is a marvel of optimism. “No need to worry, all you need to do is accentuate the positive in your thoughts, and good things will descend upon you.”

There is even a more “sophisticated” version of the law, whereby, if you think-positive and don’t receive what you want, you didn’t really want it. That is, your higher self didn’t want it. Therefore, disappointment isn’t possible.

The law is also an expression of a severely declining culture, in which large numbers of people, living in a superficial land of plenty, just can’t seem to be happy. They’re not getting what they want. The presents under the Xmas tree aren’t the right presents. The dreams they’re dreaming aren’t coming true. Therefore: build a better Santa Claus. Call him Universe.

The law of attraction also has a dark side: don’t entertain negative thoughts or negative things will happen to you. This may as well be an overt piece of mind control, because…who can avoid a trickle or a stream of negative thoughts? The individual is being set up. “Be a cop. Monitor yourself. Be your own Surveillance State. Keep those negative thoughts away. Don’t think of a pink elephant driving a truck on the sidewalk as you step out a café…”

The law of attraction: it’s as if someone read an ancient torn manuscript, tried to reconstruct a valuable piece of information, and missed the mark by a few miles. He got it all wrong. He got it backwards. Everything he could get wrong he did get wrong.

Why do I say that?

First of all, re the law of attraction, we’re talking about “positive and negative thought” at a level of power and meaning that is weak, weak, weak. We’re talking about an inconsequential level of thinking altogether. We’re also talking about thought that is divorced from action. The individual is characterized as if he were a radio antenna, a receiving apparatus. Thoughts are coming in, good ones and bad ones. His job is to filter out the bad ones and strive to accentuate the good ones. This is preposterous. This is a losing proposition.

In ancient Tibet, before the priest class took over and established a theocracy, the practitioners of the art of manifestation were operating at a truly profound level of creation. If someone had come up with the law of attraction, he would have been encouraged to see it and invent it with all the sustained intensity he possibly could—and then, when he had the law before him with alive and electric force, he would have been told: get rid of it.

The whole notion of Tibetan magic was: creation and destruction.

Through long-term grounding in this practice, the student would eventually come to see, first-hand, that he could invent anything and also dispense with it. Now we’re talking about power.

Not the inconsequential static of “positive and negative thoughts.” Not the little amateur radio station. Instead, the Niagara, initiated by the student and gotten rid of by the student.

“You’re in love with the idea of a beneficent universe that delivers all good things? All right, imagine that universe with all the energy you can muster. Spend months creating it. And then, when you’re quite sure you’ve got that marvelous invention, and it’s going to hand down to you everything you want, get rid of your invention. You see? You’re the artist of reality. You invent it. You can invent whatever you want, and you can destroy it, too. You’re the painter with an infinite canvas. You can fill it up with anything you want—and you can also paint over it and erase it out of existence. And there’s no need to feel sad about it, because you KNOW you can create endlessly. You’re living in a sea of abundance, not because the universe is mandating it, not because any entity or force or field or personage is mandating it or allowing it, but because YOU are the beginning and end of the abundance.”

The Tibetans weren’t fooling around. They weren’t taking a stroll through a mall. They weren’t pining over some fervently wished for relationship that never was. They weren’t cooking up some little religion with rainbows and marshmallows. They weren’t a terminally sentimental culture. They weren’t living and dying by dreams of abject hope. They weren’t inventing some good guy at the center of universe who comes down the chimney every night to deliver presents.

For that twisted version of the truth to flourish, there had to be a culture that was seeming to produce a consumer paradise. A place where every toy and machine and frizzle and frazzle on shelves of plenty were within arm’s reach—and still the people were unhappy. Then, the people would imagine that a higher St. Nick was available by merely “thinking good thoughts.” Then, people would believe this St. Nick was “giving them permission” to be happy.


Exit From the Matrix


Re the law of attraction, those early Tibetans would say: “Are you really worried about thinking a negative thought? Wow. Excuse us for laughing. All right, take one of those negative thoughts and invent it sky-high. Go to the quarry and cut out a two-ton block of granite and have some horses drag it back home and spend a few months engraving that negative thought on the stone and put lights on it and hold a week-long boggling celebration—and then blow up the stone. Do this whole process as many times as you need to, until you realize you can invent anything and then get rid of it. Until you realize you’re an artist of reality and you’re infinitely more powerful than some weak sister of a ‘negative thought’. Please.”

An artist of reality puts together a vision of something he deeply, deeply, deeply desires, and then he strides out and brings it into being in the world. Because he wants to. Because he’ll walk through whatever he has to walk through to bring it to fruition. And that’s “the law of attraction.” It’s not a law and it isn’t attraction. It’s art. It’s creation. It’s invention.

The individual, as an artist of reality, can go anywhere and access anything: he can tap into fields of data, oceans of being, other people’s minds, this consciousness and that consciousness, this role and that role, as well as mysteries; he can merge and un-merge—or he can do none of that. He can invent power out of nothing. He can, as artists have since the dawn of time, experience the joy and ecstasy of bringing to life his greatest dreams. He can invent and choose those dreams. And moving ahead with great energy, THEN he can also “just sit and listen” at times and have all sorts of fabulous material “come through.” And he can also, if he wants to, put ALL that on the shelf, and just walk down the street in the rain and hold a newspaper over his head and hail a cab and ride to a restaurant and have a drink and eat a meal with a friend and talk about the horse who won the fifth race at Del Mar.

What I’m describing in this article is an open path.

It’s open to all people.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Collectivism and engineered perception

Collectivism and engineered perception

by Jon Rappoport

July 18, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

The primary feature of The Group is: its members look at events indirectly; they look at events in accordance with what they think other members are seeing; they don’t look at or judge an event through their own eyes or minds.

This method of seeing is, in fact, empty. It’s a fantasy. It’s like passing around an unknown object, from hand to hand, and describing it as you believe everyone else will describe it.

You are always listening for “an echo effect” before it happens.

And you claim the echo effect is what you perceive.

It’s a rank absurdity.

It creates a foundation of zeroes, in all areas of human life.

High-IQ idiots will tell you this is the only way society can operate. Why? Because they no longer know what a free and independent individual is. They no longer know what it means to see things as they actually see them. And when they vaguely sniff out a free individual, they recoil in horror.

In the early days of the American Republic, as the two-party system developed, certain men saw that it was moving toward collectivism.

In phase one, it was evolving into polarized opposition, with neither side actually expressing clear and direct perception. It was an engineered A versus B, with each side saying whatever it could, in order to win popular support.

And beyond that, it was a PRETENSE of polarized opposition. Behind the scenes, both parties, and the men who owned them, were simply building up the power of centralized government—and figuring out how to appeal to the population on the basis of “shared consensus” and “the greatest good for the greatest number.”

In other words: “how can we get the masses to think they’re all perceiving the same thing, the thing we want them to perceive?”

John Adams, in the early days of the Republic, saw it correctly and saw it exactly:

“There is nothing which I dread so much as a division of the republic into two great parties, each arranged under its leader, and concerting [organizing] measures in opposition to each other. This, in my humble opinion, is to be dreaded as the greatest political evil under our Constitution.”

Even more tellingly, George Washington laid the system bare as he struggled to extricate himself from it: “…party disputes are now carried to such a length, and truth is so enveloped in mist and false representation, that it is extremely difficult to know through which channel to seek it [truth]. This difficulty, to one [a person], who is of no party, and whose sole wish is to pursue with undeviating steps a path which would lead this country to respectability, wealth, and happiness, is exceedingly to be lamented.”

Thomas Jefferson, who on a number of occasions registered his acceptance of political parties as inevitable and natural, broke ranks in this very personal assessment: “I never submitted the whole system of my opinions to the creed of any party of men…where I was capable of thinking for myself. Such an addiction [to a party] is the last degradation of a free and moral agent. If I could not go to heaven but with a party, I would not go at all.”


Exit From the Matrix


One of the great tools of collectivism is political correctness.

—All political correctness is based on a crooked notion of greatest good, AKA least harm, to the greatest number of people. It isn’t based on direct perception at all.

It’s an effort to convince people to limit their own actions and words, based on what effect they might have on others. These “others” are never allowed to speak for themselves, before the politically correct rules are made.

These “others” are an invented fiction.

These others are nudged into being on the premise that they will be victims, who are disturbed by a potentially infinite number of actions and words.

These victims will perceive harm to themselves before it happens.

They will register a possible future “echo effect” now.

As lambs to the slaughter, they will provide a justification for collectivist thought and existence.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Once when we were free

Once when we were free

by Jon Rappoport

July 5, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

We’re more sensible now. We don’t live our lives as much as we arrange them and organize them. B follows A. D follows C. We take our medicine and our shots because the doctor says so.

We’re careful, because accidents happen.

We don’t say what’s on our minds a lot of the time, because other people might pass that on, and who knows? We might get into trouble.

But once upon a time, when we were young, we were free. We didn’t take any shots, and when we got sick we recovered. We were stronger than kids are now. We didn’t ask for much protection and we weren’t given much, and we survived.

There was no talk about the needs of the group. When we went to school, we weren’t told about ways we could help others. That was something we learned at home. We weren’t taught about The Planet. Instead, we learned to mind our own business, and it wasn’t considered a crime.

When we played games, adults weren’t hovering or coaching every move we made. We found places to play on our own, and we figured it all out. There were winners and losers. There were no plastic trophies. We played one game, then another. We lost, we won. We competed. Losing wasn’t a tragedy.

There were no childhood “conditions” like ADHD or Bipolar, and we certainly didn’t take any brain drugs. The idea of a kid going to a psychiatrist would have been absurd.

People were who they were. They had lives. They had personalities. They had eccentricities, and we lived with that.

There was far less whispering and gossip. There were fewer cliques. Kids didn’t display their possessions like signs of their identity. A kid who did was ignored, even shunned.

Kids never acted like little adults. They didn’t dress like adults. They didn’t want to be fake adults.

Our parents didn’t coddle us. We weren’t bribed so we would act decently.

We weren’t “extra-special.” We weren’t delicate.

No one kept asking us about our feelings. If they had, we would have been confused. Feelings? What’s that? We were alive. We knew it. We didn’t need anything else.

We could spot liars a mile away. We could spot phonies from across town. We knew who the really crazy adults were, and we stayed away from them.

We didn’t need gadgets and machines to be happy. We only needed a place to play. And if you wanted a spot to be alone, you found one, and you read a book.

There was no compulsion to “share.”

School wasn’t some kind of social laboratory or baby-sitting service. We were there to learn, and if we worked hard, we did. Teachers knew how to teach. The textbooks were adequate. Whether the books were new or old didn’t matter.

Kids weren’t taught how to be little victims.

Sex was a private issue. You were taught about that at home or not at all. You certainly didn’t learn about it in school. That would have been ridiculous.

Some of us remember being young, and now, we still have that North Star. We still don’t take our shots and medicines. We still don’t take every word a doctor says as coming from God. We still know losing isn’t a crime or an occasion for tragic theater.

We still know how to be alone. We still think gossip and cliques are for morons. We still feel free. We still want to live, and we do.

We still resent intrusion on our freedom, and we speak up and draw the line. We still like winning and competing. We still like achieving on our own.

We can spot self-styled messiahs at a hundred yards.

As kids, we lived in our imaginations, and we haven’t forgotten how. It’s part of who and what we are.

We aren’t bored every twelve seconds. We can find things to do.

We don’t need reassurances every day. We don’t need people hovering over us. We don’t need to whine and complain to get attention. We don’t need endless amounts of “support.”

We don’t need politicians who lie to us constantly, who pretend we’re stupid. We don’t need ideology shoved down our throats. Our ideology is freedom. We know what it is and what it feels like, and we know no one gives it to us. It’s ours to begin with. We can throw it away, but then that’s on us.

If two candidates are running for office, and we don’t like either one, we don’t vote. We don’t need to think about that very hard. It’s obvious. Two idiots, two criminals? Forget it. Walk away.

We don’t fawn, we don’t get in other people’s way. We don’t think “children are the future.” Every generation is a new generation. It always has been. We don’t need to inject some special doctrine to pump up children. We remember what being a child is. That’s enough.


Exit From the Matrix


When we were kids, there was no exaggerated sense of loyalty. We were independent. Now, we see what can be accomplished in the name of obligation, group-cohesion, and loyalty: crimes; imperial wars; destruction of natural rights.

It didn’t take a village to raise a kid when we were young, and it doesn’t take one now. That’s all propaganda. It panders to people who are afraid to be what they are, who are afraid to stand up for themselves.

We can see what indoctrination creates. It creates the perception of endless numbers of helpless victims. And once that’s firmly entrenched, then magically, the endless parade of victims appears, ready-made. When some needs have been met, that’s never enough, so other needs are born. The lowest form of hustlers sell those needs from here to the sky and beyond. They make no distinction between people who really can use help and those who are just on the make.

We didn’t grow up that way. We don’t fall for the con now.

When we were kids, the number of friends we had didn’t matter. We didn’t keep score. Nobody kept track of the count. That would have been recognized in a second as a form of insanity.

As kids, we didn’t admire people simply because other people admired them. That was an unknown standard.

We were alive. That was enough. We were free. That was enough.

It still is.

When we were young, we had incredible dreams. We imagined the dreams and imagined accomplishing them. Some of us still do. Some of us still work in that direction. We haven’t given up the ghost just because the world is mad.

The world needs to learn what we know. We don’t need to learn what the world has been brainwashed into believing.

Once we were free, and we still are.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Using “alternate realities” as a form of analysis

Using “alternate realities” as a form of analysis

by Jon Rappoport

July 1, 2016

When I finished putting together my collection, The Matrix Revealed, I wrote several prefaces to it. Here is one:

—Start here: if things weren’t the way they are, if they were quite different in specific ways…

What implications would follow?

This can be a very instructive question.

Most people automatically reject alternate realities on the basis of: “Well, they don’t exist, they’re fantasies, so who cares?”

That reaction speaks to a paucity of imagination and little else. It’s a profoundly low-IQ response.

I’ll flesh out an example of an alternate reality and trace the implications. You’ll see it illuminates “things as they are” in an interesting way. This example is based on my experience writing, reading, and watching news for over 30 years. It’s also based on numerous off-the-record conversations I’ve had with mainstream reporters.

Suppose the NY Times, which is drowning in red ink, which re-finances its debt to stay afloat, which is losing its reputation as the paper of record faster than a rowboat full of holes sinks in a lake, changed its whole method of finding and presenting news.

Suppose the Times latched on to major scandals beyond its corporate mandate with the extreme ferocity of an attack dog. Suppose, for instance, it went after the deadly impact of medical drugs on the population. Suppose it began with the July 26, 2000, review, published in the Journal of the American Medical Association, “Is US Health Really the Best in the World?”, authored by Dr. Barbara Starfield, of the Johns Hopkins School of Public Health, in which Starfield concludes that, every year, FDA-approved medicines kill 106,000 Americans?

Extrapolating that number out to a decade, the death toll comes to over a million. A million Americans killed every decade by medical drugs.

Suppose the Times made this its number-one story, not just for a day, but for a year or more? It lets the hounds loose on the FDA, who approves the drugs as safe, it sends the hounds to medical journals, which routinely publish fraudulent studies praising the drugs that kill people. So far we’re talking about nothing less than RICO felonies—continuing organized-criminal acts. Suppose the Times’ hounds probe medical schools, where students are taught to believe in the killer drugs, where Pharma money funds the teaching programs.

There are so many nooks and crannies where Times’ reporters can extract confessions from medical players: “I knew about the horrific death toll years ago, but my superiors ordered me to shut up.”

“Which superior was that? You may as well tell me. I’m going to find out anyway…”

The Times’ reporters move in on the Dept. of Justice, which has never lifted a finger to prosecute these ongoing crimes, despite knowing exactly what’s been going on.

Day after day, as new confessions and facts emerge, the Times puts its searing stories on page one of the paper.

The size of the headlines increases.

The public is wakened. The public, as it turns out, is unable to turn away.

The Times puts out two print editions a day and the papers fly off the newsstands.

Under intense pressure, Congressional hearings are laid on. New liars come to the fore, and under oath some of them crack and reveal how medical murder has survived in the shadows all these years. It’s a grisly tale.

The Times’ profits soar. The public is on fire.

And then, just when the whole story seems to have lost a bit of its force, new revelations explode. Major medical reporters for many press outlets—including the Times—have been sitting on this story for more than a decade. They’re instrumental in the cover-up. Mass firings occur.

At the same time, it becomes apparent that several blockbuster global trade deals have been engineered, behind the scenes, to further engorge Pharma profits. Those deals go down the drain and are canceled.

I could go on. This story would have more legs than a phalanx of centipedes.

But of course, neither the Times nor any other major press outlet would ever pick up or cover this story. These media operations are locked in partnership with Pharma. They’re on the same side.

Yet, understanding how the story could play and evolve and explode in an “alternate universe” gives you clues. For example, the public is asleep because the news keeps it asleep.

The public could wake up.

And if it did, there would be hell to pay.

In a universe of true news, the entire society would be different because the people would be different. They wouldn’t be acting as if they’re brain-damaged. They wouldn’t be acting as if they’re goggled-eyed glazed-over New Agers. They wouldn’t be afraid to speak out and speak up. They would be alert and active and forceful. A great deal of delusional scum would be scraped off the top of consciousness. Vague generalities would no longer suffice. Empty words would no longer suffice. Business as usual would no longer suffice.

In this highly instructive “alternate universe” metaphor, the public would learn that nothing is too big to fail—a valuable lesson. Big Pharma, exposed to its roots as a crime mob, toppled from all its pillars of trust, would not, by its fate, doom society. Far from it. Society would be cleansed.

People would look around and wonder how they had slept for so long. The purveyors of fake news, with their touted experts, would experience a level of (justifiable) paranoia they’d never imagined. Not just in their coverage of the medical arena, but in every sphere where lying and cover-up and diversion have been the order of the day.

The overarching position of “Elite News Anchor” would drown in its own corrupt juices. The networks would scramble like rats to survive a ratings crash beyond their wildest nightmares.

And yet, again, society would not be doomed.

Many, many, many more individuals would wake up.


The Matrix Revealed


Information, the neutral god of the technocratic secular church, would suddenly be colored with purpose. It would reveal. It would expose. It would take on muscle. It would range along dynamic lines of force and unseat criminals in the highest of places, with no restraint.

The population would develop a new appetite. Instead of alpha-wave hypnotic trance, people would insist on the demise of false idols. And lawful application of justice would finally mean something.

All this…this is what the mainstream news could deliver. In an alternate universe.

In the “real” universe where we live, the task falls to independent investigators. But the aim is the same: rousing the people from their slumber.

When you can envision the implications of a preferable “other-universe,” all the way across the board, you can understand what your work is here and now.

You can summon the energy to go all-out. You can throw off insubstantial roles. You can create your own engine, shove it into gear, and move up to high velocity.

The imagining of alternate universes creates energy.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Cartels of the Mind: a movie that never was

Cartels of the Mind: a movie that never was

by Jon Rappoport

June 27, 2016

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“Dominoes of the collective begin to fall. The whole rotting structure begins to collapse, a wing here and a wing there, and the robots open their eyes and turn off their cameras.”

Several years ago, after reading an article of mine, a producer approached me about writing a movie script. He wasn’t sure whether he wanted it to be a documentary or a feature. But he wanted it to be “heroic,” he said. And long.

We had discussions. I sent him notes. The tentative title was, “Cartels of the Mind.”

He eventually wobbled, then disappeared.

Here are some of those preliminary notes. They’re not always sequential. And I’ve recently added one or two comments.


If you can’t see the background of a crime, you aren’t seeing the crime, you’re seeing the sensational effects, that’s all.

There are people who want their own minds to look exactly like the world. They want their minds to look like photographs of the world. This is what they strive for. The idea that they could invent something is so terrifying they opt instead for the world as it is.

This is what amused the surrealists. They started turning things upside down and inside out. They were reacting to humans who had made themselves into robots. Into robot cameras.

The Surveillance State is a robot camera. It captures everything, based on the premise that what isn’t Normal is dangerous.

The cartels of the world become the cartels of the mind.

At the outbreak of World War 2, the Council on Foreign Relations began making plans for the post-war world.

The question it posed was this: could America exist as a self-sufficient nation, or would it have to go outside its borders for vital resources?

Predictably, the answer was: imperial empire.

The US would not only need to obtain natural resources abroad, it would have to embark on endless conquest to assure continued access.

The CFR, of course, wasn’t just some think tank. It was connected to the highest levels of US government, through the State Department. A front for Rockefeller interests, it actually stood above the government.

Behind all its machinations was the presumption that planned societies were the future of the planet. Not open societies.

Through wars, clandestine operations, legislation, treaties, manipulation of nations’ debt, control of banks and money supplies, countries could be turned into “managed units”—and then, with the erasure of borders, combined into regions.

Increasingly, the populations of countries would be regulated and directed and held in thrall to the State.

And the individual? He would go the way of other extinct species.

For several decades, the pseudo-discipline called “social science” had been turning out reams of studies and reports on tribes, societal groupings, and so-called classes of people.

Deeply embedded in the social sciences were psychological warfare specialists who, after World War 2, emerged with a new academic status and new field of study: mass communications.

Their objective? The broadcasting of messages that would, in accordance with political goals, provoke hostility or pacified acceptance in the masses.

Hostility channeled into support of new wars; acceptance of greater domestic government control.

Nowhere in these formulas was the individual protected. He was considered a wild card, a loose cannon, and he needed to be demeaned, made an outsider, and characterized as a criminal who opposed the needs of the collective.

Collective=robot minds welded into one mind.

As the years and decades passed, this notion of the collective and its requirements, in a “humane civilization,” expanded. Never mind that out of view, the rich were getting richer and poor were getting poorer. That fact was downplayed, and the cover story–“share and care”—took center stage.

On every level of society, people were urged to think of themselves as part of a greater group. The individual and his hopes, his unique dreams, his desires and energies, his determination and will power…all these were portrayed as relics of an unworkable and deluded past.

In many cases, lone pioneers who were innovating in directions that could, in fact, benefit all of humanity, were absorbed into the one body of the collective, heralded as humane…and then dumped on the side of the road with their inventions, and forgotten.

In the planned society, no one rises above the mass, except those men who run and operate and propagandize the mass.

In order to affect the illusion of individual success, as a kind of safety valve for the yearnings of millions of people, the cult of celebrity emerged. But even there, extraordinary tales of rise and then precipitous fall, glory and then humiliation, were and are presented as cautionary melodramas.

This could happen to you. You would be exposed. You would suffer the consequences. Let others take the fall. Keep your mind blank. Do nothing unusual. Shorten your attention span. Disable your own mental machinery. Then you’ll never be tempted to stand out from the mass.

The onrush of technocracy gears its wild promises to genetic manipulation, brain-machine interfaces, and other automatic downloads assuring “greater life.” No effort required. Plug in, and ascend to new heights.

Freedom? Independence? Old flickering dreams vicariously viewed on a screen.

Individual greatness, imagination, creative power? A sunken galleon loaded with treasure that, upon closer investigation, was never there to begin with.

The Plan is all that is important. The plan involves universal surveillance, in order to map the lives of billions of people, move by move, in order to design systems of control within which those billions live, day to day.

But the worst outcome of all is: the individual cannot even conceive of his own life and future in large terms. The individual responds to tighter and control with a shrug, as if to say, “What difference does it make?”

He has bought the collectivist package. His own uniqueness and inner resources are submerged under layers of passive acceptance of the consensus.

And make no mistake about it, this consensus reality, for all its exaltation of the group, is not heraldic in any sense. The propagandized veneer covers a cynical exploitation of every man, woman, and child.

Strapped by an amnesia about his own freedom and what it can truly mean, the individual opts for a place in the collective gloom. He may grumble and complain, but he fits in.

He can’t remember another possibility.

Every enterprise in which he finds himself turns out to be a pale copy of the real thing.

The deep energies and power and desire for freedom remain untapped.


Exit From the Matrix


Yet a struggle continues to live. It lives in the hidden places of every individual who wants out, who wants to come back to himself, who wants to stride out on a stage.

Freedom and power again. The shattering of amnesia.

In this stolen nation.

…And so the extinct individual returns.

Petty little hungers and obsessions become great hungers.

Dominoes of the collective begin to fall. The whole rotting structure collapses, a wing here and a wing there, and the robots open their eyes and turn off their cameras.

The vast sticky web called “the people” begins to disintegrate in roaring cities and in the mind.

A new instructive message appears:

“Normal=crazy.”

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.