Category Archives: Energy & Imagination

Breakout from the controlled ordinary mind

Breakout from the controlled ordinary mind

by Jon Rappoport

July 28, 2015

When I was about to release my collection, Exit From The Matrix, I wrote several introductions. Here is one I didn’t publish. It shows how seriously I take what others consider a merely “quirky tendency” of humans to imagine a better and different future for themselves and this piece of space called Earth:

“Suppose everything that is happening in the human world is taking place in a synthetic space, a grossly reduced arena; and suppose you could stand outside that space and look in. You would be seeing a great deal more than ‘what is going on’. You would be seeing how it is playing out, shot through with delusions at every turn; and of course the main delusion would be the space itself, as if nothing could be happening anywhere else but there, in that place. This is what the mind, all the minds, are telling themselves, as they fight over scraps. Humans have defined themselves as social constructs in small-time stage play.” (The Magician Awakes, Jon Rappoport)

The controlled mind thinks in the same patterns, over and over. It reworks familiar territory, and when that becomes insufferably boring, it lowers its energy output and initiates shutdowns.

Then it looks for outside stimulation that will replace thinking. The type of stimulation hardly matters, as long as it moves adrenaline through the system.

The decline of a society or civilization can be viewed in the same step-down fashion.

Occasionally, in passing, a writer makes reference to the creative impulse as a missing social factor, which could be remedied, for example, by restoring funding for arts programs in schools, as if that would repair a bureaucratic failing and thus restore balance to education and “the culture.”

Which is like saying Titans, who have developed profound amnesia about themselves, could recover their consciousness and power by shampooing their hair more frequently.

The individual human being, apart from the welter of his social relationships, is sitting on a volcano-range of creative energy, about which he knows almost nothing. This ignorance is purposeful. It enables him to fit into a small life defined by habits and shrunken subjects of interest and routine interactions. Within that space, he forms opinions and preferences and aversions. He says yes to this and no to that. He cultivates a passive tolerance for differences, as if he were auditioning for sainthood.

He lives as a social construct in a social space. If he breaks out, it is usually by committing a minor crime.

If he lives in a place where war and destruction are the long-standing status quo, he fights the assigned enemy. His social space is the battlefield.

But whoever he is and wherever he is, underneath it all, something is waiting for him. A part of himself is waiting.

It is the part that can conceive of everything that isn’t, that never was. It is the part that dreams beyond the ordinary facades of time and space.

It is the part that refuses to believe habit and repetition and routine and systems are the core of life.

It is the part that knows something new and unprecedented and stunning can be invented at the drop of a hat, and that this is the unlimited territory of the individual.

It is the part off-handedly referred to as imagination, which over time has been sold away into oblivion. But which never dies.

This is what is underneath the common duties and habits of daily humans as they circulate in their lives.

The elites who try to control and define the common space of humanity would like to render imagination to the junk heap of history, never to be recalled. They would like to do this by replacing the individual with the group, which has no creative impulse, but is merely, with few exceptions, the lowest-common-denominator expression of any idea.

In Huxley’s Brave New World (1932), the overarching government slogan was: “Every one belongs to every one else.” One group, indivisible, with non-liberty and injustice for all.

Huxley’s slogan is now also the number-one elite propaganda message on Earth. It can be made to mean almost anything that derides and minimizes the individual and his repressed creative power.

In his 1954 short story, The Adjustment Team, Philip K Dick approaches the transformation of the individual into the group as an instantaneous, blanketing, mass-programming operation. Salesman Ed Fletcher, through an error, isn’t included in the “great change.” Instead, he witnesses it. Therefore, he is transported into the sky to meet the Old Man, the Chief, for a judgment:

Ed: “I get the picture…I was supposed to be changed like the others. But I guess something went wrong.”

Old Man: “Something went wrong. An error occurred. And now a serious problem exists. You have seen these things. You know a great deal. And you are not coordinated with the new configuration.”

The new configuration, at a deep level, is not new at all. It has existed since the dawn of history. It’s the self-fulfilling prophecy that, except for a few gifted ones, humans have no creative power, no wide-ranging imagination. Thus, they must surrender to the “shape of things as they are.”

Here is a statement about reality-creation that is crucial. —Philip K Dick, his 1978 speech, How To Build A Universe That Doesn’t Fall Apart Two Days Later:

“…today we live in a society in which spurious realities are manufactured by the media, by governments, by big corporations, by religious groups, political groups…So I ask, in my writing, What is real? Because unceasingly we are bombarded with pseudo-realities manufactured by very sophisticated people using very sophisticated electronic mechanisms…And it is an astonishing power: that of creating whole universes, universes of the mind. I ought to know. I do the same thing.”

Philip Dick was talking about the elite invention of a synthetic common space for human activity. And on the other hand, he was talking about an individual’s invention, through imagination, of other spaces.

These other spaces aren’t mere fantasies. They’re as real as real can be—and they can be injected into the world, into the common space, to change it, and to wake people up from their group-think trance.

The bottom-line goal of all mind control is the removal of the individual’s knowledge that he has great creative power, that this capacity gives him enormous untapped energy, that it solves problems by rendering them irrelevant and defunct.

Whether the method of mind control is propaganda, electronic transmission, DNA alteration, drugs, numbing education, indoctrination in values, underneath it all, this is the goal: Stripped of the knowledge of his own imagination and creative power, the individual keeps rearranging deck chairs on his personal Titanic, in an effort to find answers to dilemmas in a shrunken space that will never satisfy him.

From the elite’s point of view, this is what is supposed to happen, because then the individual will believe he can only be rescued in the arms of The Group.

The individual, operating at half of what he is, will concoct all sorts of rationalizations and explanations for his life in a labyrinth.

The labyrinth is how he perceives reality, through the filter of his amnesia about what he is and what he can do.

exit from the matrix

But suppose he goes the other way. Suppose the objective is to restore what is inherently his? Suppose he brings back what he has lost? Suppose, finally, he takes a stand and refuses to see himself as a victim of circumstance?

Suppose he remembers that he holds the sword of his own imagination, and can invent reality?

Suppose he exercises that capacity and thus proves to himself how far-reaching his power is?

In his 1920 novel, A Voyage to Arcturus, which spawned generations of science fiction, David Lindsay writes:

“To be a free man, one must have a universe of one’s own.”

This is no flippant observation. This is psychology light years beyond what Freud and his offspring concocted. This is the power of imagination, linked as it should be, to individual freedom. Nor was Lindsay recommending some closed-off fantasy existence. He was realizing that, with “a universe of one’s own,” the individual can then comprehend and participate in the common space we call the world—at a new level of unlocked and untangled power.

I dedicate my work to explaining these factors, and more importantly, providing many exercises that, when practiced, can reawaken and restore imagination as the unlimited dynamo it actually is.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Beyond Structures

Beyond structures

by Jon Rappoport

July 23, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“There is a form of mind control in which very workable patterns are taken too far. They become obsessions. They become filters through which a person sees everything. Then the fire of life cools and goes out. Then the intelligence of a person works against him. My work is about showing people there is something beyond these patterns. What people are hoping for and wishing for is beyond these mind-patterns, whether they know it or not. I don’t care whether they live in America, Australia, Canada, Malaysia, India, Peru, or the North Pole. They’re hoping for a kind of spontaneity and energy that transforms dead and repetitive days and nights into burning joy.” (The Magician Awakes, Jon Rappoport)

We are fascinated with structures and systems because they work, and because some of us feel an aesthetic attraction to them.

They work until you want to do something different.

Many people want to grab a structure and pull it around them and sit there like a bird in a cage. They want to go from A to B to C and feel the satisfaction of knowing it works every time.

Nothing wrong with that. Nothing wrong at all.

But go into a corporation and say you want to teach them creativity and they’ll say, “What’s the system?”

Once, at a party, I told a personnel chief at a company, “The system is to stand on your head.”

“Literally?” he said.

“No. That would be too easy. People would find a system for that. But figuratively, that’s what you want to get people to do.”

He scratched his head.

“I don’t know what you’re talking about,” he said.

“Exactly,” I said. “That’s where we start. I say something and you don’t understand. Then we have a chance.”

“What are you?” he said. “Some kind of Zen teacher?”

“No,” I said. “If I said I was, you’d pigeonhole me. I teach non-systems.”

He laughed in an uncomfortable way.

“We don’t operate on non-systems at the company.”

“No, but if you let three or four people do that, they might come up with a product you never dreamed of.”

That he could understand. Vaguely.

Here’s how things work at some major companies. The second-tier honchos decide it’s time for a new product. They call in the chief of production and ask him what could be done. He suggests a whiz-it 4, which is basically a whiz-it 3 with a few more bells and whistles.

The honchos give him the green light, and he goes to work. He triggers the structure he already has. He gets underlings to make sketches of whiz 4, and with those he assigns compartmentalized tasks to various departments under him. The timetable is eighteen months.

He appoints a project supervisor to oversee the whole thing.

The project supervisor pretty much knows what’s going to happen. The six departments in charge of bringing in the whiz 4 on time will do okay—except one key department will fail miserably, because three guys in that dept. are lazy. They find ways to delay operations. They ask meaningless questions. They let work pile up on their desks. They meddle in other people’s business.

Twelve times, the production supervisor has tried to get these idiots fired. No go.

So everybody settles down to grind of bringing in whiz 4 on time.

Structure.

Manuals, rules and regs.

This can make magic the way an ant can fly to the moon.

So long ago it was in another life, I taught private school in New York. There were six kids in my class, all boys. I was supposed to teach them math. They were all at different levels. They had no ambition to learn math. No matter what I did, they performed miserably. Add, subtract, multiply, divide, decimals, fractions—it didn’t matter. If they managed to learn something on Monday, they forgot it by Tuesday. It was rather extraordinary.

So I took them to an art museum one morning. They were as lost there as they were in the classroom. But I wasn’t. That was the key. I was already painting in a little studio downtown, and I was on fire.

So I began to talk about the paintings. The Raphael, the Vermeer, the Rembrandt. The De Kooning, the Pollock, the Gorky. I had no plan, no idea. I just talked about what they could see if they looked.

And then we walked back to school and I set them up with paints and paper and brushes and told them to go to work. I said I didn’t care what they painted. Just have a good time. Do something you like.

All of a sudden, they weren’t making trouble. They were painting. No more whining and complaining.

I walked around and watched them go at it. I pointed to this or that area and mentioned what I liked.

There was no way to measure or quantify or systematize what the kids were doing that day, but they were coming alive, out of their sloth and resentment.

Then we got back to math, and it was as if they’d all experienced an upward shift in IQ.

That night, back in my studio, I made a note in my notebook. It went something like this: Give them a non-structure, and then follow that with logic; it works.

So that was that.

There used to be something in this culture called improvisation. People understood what it was, even if they wouldn’t do it themselves. Now the word has almost vanished. Same with the word spontaneity. The moment when eye, mind, and brush meet canvas. When mind meets the new. When the inventor suddenly gets up from his chair and trots over to his workbench and starts putting pieces together.

This becomes magic because imagination jumps into the fray. The urge to invent takes the foreground.

The trouble with all these imported Asian spiritual systems now is that they have a long and distinguished history, and the history tends to infiltrate everything that’s happening. It’s venerated. You need a clean slate, a wide open space. You need Now.

You need Now, which is dry tinder to the spark of imagination.

Magic isn’t really a return to the mystical past. Alchemy was what people did in the Middle Ages to give themselves a Now, on which they could inject the flame of their imagination.

At its highest levels, it wasn’t a system. Not really.

But if you have enough history at your back and you stand away far enough, everything looks like pattern and structure and system. That’s the illusion. That’s the deception.

Systems allow people to see and also make them blind. If they can’t fold an event into a structure, then for them it isn’t there. This is very interesting. This is where all the myths of Hermes (aka Mercury) sprang from. He was the figure who flew and passed through walls and had no barriers in the space-time continuum—the tin can we call universe. So people pretended, at a deep level, that they were unable to comprehend him. He was invisible to them. He was a trickster. He toppled idols of the hidebound, rule-bound, system-bound society.

Mythologically, he ranked very high in the pantheon of the gods. There really was no reason he couldn’t be considered the king of the Olympians.

But he didn’t want the throne or the lineage. That was just another structure, erected by his god-colleagues, who were bored out of their minds and desperately needed the entertainment and distraction it could provide.

Hermes lived deep in the fire of his own imagination and speed and improvisation and spontaneous action.

He didn’t need metaphysics or cosmology. He already embodied them, and much, much more.

To him, the notion of shared, consonant, and brick-by-brick reality as the longed-for ultimate goal became an enormous joke.

The word “art,” across the full range of its meanings, is what happens when, from a platform of structure, a person takes off and discovers that consciousness doesn’t particularly want to wait around a railroad station looking at What Already Exists forever. Consciousness wants to invent what isn’t there.

So it does.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

What is happening to the individual in our time

What is happening to the individual in our time

by Jon Rappoport

July 21, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“At ground level, Earth Civilization is turning into an all-encompassing protection racket. The absolute need for protection is being peddled by our august leaders and experts…and of course they say the only way to accomplish safety is through collectivism. ‘We’re all in the same nest, and job number one is guarding it. This job takes precedence over any other activity.’ The watchword is sacrifice. Give up your future for the sake of the Whole. Be proud you are choosing to become a politically correct social construct that eagerly responds to instruction about the needs of the group. Wear your collectivist badge with honor and pride. Re-create yourself as a member of The Group.” (The Underground, Jon Rappoport)

This isn’t a minor investigation.

It goes to the heart of what an individual is.

The perception that the individual is small and cannot overcome the expanding System of Control—that conclusion is only a piece of the story.

We are also talking about the individual’s defection away from his own power. He chooses to defect.

As a substitute for his own resources, he might well adopt a mystical belief in so-called collective consciousness as the only source of power.

In the West, the early Roman Church sold this mystical Unity with great effect. The deception continues to this day. It is reborn in various forms, most notably as “the universe”—the idea that the universe is making benevolent decisions for all of us, and we can tune into these guidelines and thus achieve greater life.

Then we give up true individuality, consider it a lost cause and a delusion based on sheer ego.

This is premier, prime-cut, class-A mind control.

We’re talking about theater here. The individual’s reinvention of himself in the role of advocate for the “greater good.”

Of course, if the individual has little to no awareness of his own imagination and creative power, he doesn’t realize he is fleshing out this role. He doesn’t realize he is engaged in something theatrical.

He certainly doesn’t realize he is taking part in the protection racket called Planet Earth. He fails to see how the vague notion of “greater good” is being manipulated by leaders in the pretense of a crusade called Justice.

Consciousness wants to create new consciousness, and it can. Imagination is how it does it. If there were some ultimate state of consciousness, imagination would always be able to play another card and take it further.

In any arena of life, and especially when it comes to mind, perception, power, empathy, and so on, there is always a status quo. It’s merely the place where a person says, “Well, that’s enough. I’ll settle for what I have. I’ll stop here.”

Sooner or later, this leads to boredom, frustration, problems, and conflict. It leads to a decline.

Imagination, which knows no bounds, is the source for the most adventurous explorations. It can have great impact on the material world, of course, but one mustn’t therefore conclude it is composed of matter or energy. Imagination is non-material. To think otherwise winds you up in using some version of physics to depict imagination—and then you are imposing limits on it. This is an error. Imagination doesn’t obey any laws of physics.

If imitation is the sincerest form of flattery, we’ve flattered reality enough. It doesn’t need any more. Imagination creates new realities.

You can create the same thing over and over, and eventually you’ll be about as alive as a table. Inject imagination into the mix, and everything suddenly changes. You can steer that boat anywhere you want to.

The lowest common denominator of consensus implies an absence of imagination. Everyone agrees; everyone is bored; everyone is obedient. On the opposite end of the spectrum, there are massive floods of unique individual creation, and then that sought-after thing called abundance is as natural as the sun rising in the morning.

Sitting around in a cosmic bus station waiting for reality is what reality is. Everything else is imagination.

There are those who believe life is a museum. You walk through the rooms, find one painting, stroll into it and take up permanent residence. But the museum is endless. If you were a painter, you’d never decide to live inside one of your canvases forever. You’d keep on painting.

The relentless and obsessive search for all those things on which we can agree is a confession of bankruptcy.

When we re-learn to live through and by imagination, we enter and invent new space and time.

With imagination, one can solve a problem. More importantly, one can skip ahead of the problem and render it null and void.

Exit From the Matrix

Imagination isn’t a system. It might invent systems, but it is non-material. It’s a capacity. It feels no compulsion to imitate reality. It makes realities. Its scope is limited only by a person’s imagining of how far imagination can go.

The human race is obsessed by the question: what exists? It appears to be a far easier question than: what do you want to create? This comparison explains why civilizations decline.

Imagination is a path. Walking on that path long enough, you find answers to all the questions you’ve ever asked, as an incidental side effect of the journey. You also find power that most people only dream of.

Leaders of society may try to make society into a madhouse, but the individual has a radically different destiny, if he chooses it.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

New time, new life

New time, new life

by Jon Rappoport

July 20, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“Just as there are some words that tend to trigger passivity and helpless acceptance, there are words that can trigger opposite effects. One such word is ‘create’, when it is viewed as something an individual does to transform his present and future radically and with great energy. He vaults the quiet fences and boundaries. He embarks on a great adventure. He invents a reality that was never there before. He puts flesh on a dream that stands outside The Group.” (The Magician Awakes, Jon Rappoport)

There are some people who hear the word CREATE and wake up, as if a new flashing music has begun.

This lone word makes them see something majestic and untamed and astonishing.

They feel the sound of a Niagara approaching.

They suddenly know why they are alive.

It happened to me one day in 1949 when I was 11 years old. I was boarding a bus in upstate New York for a full day’s ride back down into New York City. I was sitting by the window as the bus pulled out of a parking lot, and I opened the first page of Ray Bradbury’s Martian Chronicles, a perfect children’s book.

The word CREATE wasn’t on that first page, but I felt it. It sounded like a great bell in my ear, and I knew I was in a different world.

I’ve been writing and speaking about the creative life for some time. This life is a far cry from the pallid oatmeal of “peace through avoidance.”

The creative life is not about slogans and systems and intellectual finger food. It is about EXPERIENCE.

It’s about diving in. It’s about a kind of transformation that shreds programming and gets down to the energy of the Fire.

Most people don’t want to travel to that grand arena because they have been trained like pets by some sector of this society to be good little girls and boys.

The creative life isn’t about little changes done in little penguin steps. It’s about putting your arms and your mind around Deep, Big, and Wide Desire. It’s about making that Desire come to life.

99% of the world has been trained like rats to adore systems. Give them a system and they’re ready to cuddle up and take it all in. If they have questions, or if they want to argue, it’s about how to tweak the system to make it a little better. And with every move they make, they put another blanket over the Fire Within.

Maybe you once saw something truly free that didn’t care about consequences, and it blew you away and turned on your soul’s electricity for an hour.

Maybe you’re sick and tired of bowing and scraping before a pedestal of nonsense.

CREATE is a word that should be oceanic. It should shake and blow apart the pillars of the smug boredom of the soul.

CREATE is about what the individual does when he is on fire and doesn’t care about concealing it. It’s about what the individual invents when he has thrown off the false front that is slowly strangling him.

CREATE is about the end of mindless postponement. It’s about what happens when you burn up the pretty and petty little obsessions. It’s about emerging from the empty suit and empty machine of society that goes around and around and sucks away the vital bloodstream.

People come to the brink, and then say, “I’m waiting for orders. I’m looking for a sign. I want the signal that it’s all right to proceed.”

People insist they don’t know anything about imagination, about how “it operates” (as if it were a machine), about what it can do, about where it can go, about how it can take them into new territory. They feign ignorance.

“I want to stay the same, and I’ll do anything to maintain that.”

Exit From the Matrix

The propaganda machines of society relentlessly turn out images and messages that ultimately say: YOU MUST BELONG TO THE GROUP.

The formula is simple. Imagination transcends the status quo. Therefore, belong to the group and avoid the possibility of transformation.

Day after day after day, year after year, the media celebrate heroes. They inevitably interview these people to drag out of them the same old familiar stories. Have you EVER, even once, seen a hero who told an interviewer in no uncertain terms: “I got to where I am by denying the power of the group”?

Have you ever heard that kind of uncompromising statement?

I didn’t think so.

Why not?

Because it’s not part of the BELONGING PROGRAM, the program that society runs on to stay away from the transforming power of IMAGINATION.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Energy depletion in a human being

Energy depletion in a human being

by Jon Rappoport

July 19, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Energy.

As in: energy depletion.

Without energy, the individual feels trapped. In that state, he seeks to conform, fit in, survive long enough to die of old age.

Body and mind deploy various feedback mechanisms to inform a person about his “available supply of energy,” and when these signals are taken as absolute truth, trouble comes.

“I can sense my energy is dwindling. So I have to…settle for less, or see a doctor, or give up, or accept that I’m getting older, or change my values, or tune up a victim-story, or join a group, or…”

On and on it goes.

In this twilight zone, the individual is unwilling to consider solutions that could restore his vitality. He’s already opted for a lower level of life.

In particular, he’s unwilling to explore the one aspect of his capability that works like magic: imagination.

That’s out. No dice. Preposterous. Absurd.

After all, imagination is just that spring rain he felt as a child, that unknown space that held all the promise in the world.

That was then; this is now.

Now is sober reflection. Now is routine. Now is habit. Now is empty.

Once upon a time, he read a science fiction novel and, at the end of it, he felt as if he were standing, triumphant, in deep space at the crossroad of a hundred solar systems.

Now he knows there is no such place. Now he is intelligent.

And now he has no energy.

The light that once flared is gone.

The idea that his own imagination could lead him to discoveries beyond anything he knows is fool’s gold.

Yes, once when he was twenty, he woke up in the middle of the night and walked to his window and looked out over a city and knew he was on the cusp of an endless future…but what can he do about that now? There is no returning.

So his imagination waits. It idles.

Yet…if he took a chance, if he began to dream again, if he started up the engine, if he considered offloading the interlocking systems that have become his daily life, what might happen?

What layers of dead thought might peel away?

What abiding convictions might dissolve?

What energies might be restored?

Is there a huge space beyond his common neurological impulses and rigid survival habits, where Vision can be played out on a vast scale?

Is there a different kind of life he can enter, crossing the threshold from tired knowledge into mystery?

Can he take a route around the banners and facades of his former reality after opening the door to his imagination?

Exit From the Matrix

There is, in fact, a silent channel that winds through the entire time-scale of the human race.

History does not officially record it, because history is written by winners for losers, and this channel has nothing to do with pedestrian notions of victory or defeat.

The route of imagination has no truck with conventional space or time. It invents its own, and eventually introduces them into the world.

How many stories are there about journeying knights who cross the boundary from ordinary events into a realm of magic?

The stories are messages…sent to ourselves, to remember. This place, this day, this moment is a platform from which to embark.

Adventure, with no end.

Imagination.

Energy.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

A new teaching: Imagination

A new teaching: Imagination

by Jon Rappoport

July 17, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

I call it new because it still has not been given its proper due. Imagination is beyond “subject matter” or “content” or “knowledge” or “systems” or “philosophy” or “metaphysics.”

Imagination is not something you pursue, like a lost mine or a species of plant never seen before. Imagination is not an object.

It can solve problems. It can dispense with a problem altogether. But imagination is not a solution. It isn’t a method.

Imagination is already there in every person, as a potential. To put it in a slightly different way, imagination comes into being the moment you want it. Even more accurately, perhaps, imagination is imagining. It’s an action. When you want to take that action, you can.

What imagination invents is, of course, different from person to person. Why? Because there is no pre-set pattern. There is no “final answer” at which imagination arrives.

A painter can say, “This painting is the embodiment of everything I’ve been reaching for,” but if he think that means imagination has served its function and can then fold up and dissolve, he is mistaken.

Where does imagining happen? That’s an interesting question. Many years ago, an old acquaintance of mine told me the following amusing story: A painter of horses felt she had come to the end of the line because she wanted to paint large horses on large canvases, but she was convinced she couldn’t picture the large horses because…imagining was taking place in her brain, and her brain was small.

When she finally realized this was a major misconception, she executed a course correction and…she was painting big horses on big canvases.

Imagining doesn’t take place in the brain. As untold numbers of artists down through history have understood, imagining takes place in “a space.” That space is invented. That space is not the same space you see when you look through your window or walk down the street or stand on a roof top. You invent other spaces. You populate them with thoughts, images, sensations.

And these other spaces have no restrictions on size, shape, dimension, and so forth.

Tesla has been quoted as saying that he would envision an entire machine before he built it, and in that imagining he could view all the parts of the machine operating together—and therefore he already knew whether the device would work properly, before he assembled a single component.

Do you think he was seeing the machine inside one of his own brain cells, or inside a cluster of cells? That’s quite a joke. Of course not. He was seeing the machine sitting there in a space—and he was imagining both the machine and the space.

The literature called science fiction took off, in part, because the reader was imagining all sorts of wondrous spaces populated by many strange and fascinating creatures and civilizations. Huge spaces.

In other words, there is physical space, the common arena we share…and there are an infinity of possible other spaces a person can imagine.

What a person imagines, in the way of spaces, need not be “scientific” or “clinical” or “according to the laws of physics.” There are no restrictions.

I once spoke with a woman who had, for many years, struggled to win a victory in a just environmental cause. She was a veteran activist leader; and she had never won what she was seeking. She was stymied. I told her she had to imagine a new kind of strategy, and I gave her a simple writing exercise that would enable her to get outside all the familiar campaigns of the past. Within two minutes, she found what she was looking for. Which is to say, she imagined it.

I wasn’t giving her knowledge or content or a system or an answer. I was showing her a way to invent something new, on her own.

Exit From the Matrix

Not long after our conversation, I finished work on my second collection, Exit From The Matrix. The heart and core of that work is a series of imagination exercises that, practiced in a daily fashion, can transform a person’s view of reality and their own power.

One could say that what a person ends up with in his life is the reality he chronically and continuously imagines. And you see, this isn’t a statement about “content.” It’s about the process of subconscious invention.

The word “education” comes from two Latin roots: “ducere,” meaning to lead, and “e,” the prefix meaning “out of” or “from.” Education, in that sense, is leading something out of the person, something that was already there.

Imagination, with all its awesome possibilities, is already there in a person. The teaching part involves bringing out that innate capacity so that it becomes conscious.

The bottom line: when all the imagining a person does is happening subconsciously, he becomes wrapped up in the content of what he is imagining and inventing, and this confusion keeps him glued to the content rather than the process itself. Conversely, when the person imagines and creates consciously, he becomes aware of his power and its immense latitude, and his freedom.

This makes all the difference.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Beyond one space-time continuum: logic and imagination

Beyond one space-time continuum: logic and imagination

by Jon Rappoport

July 16, 2015

Logic applies to the physical universe.

It applies to statements made about that universe. It applies to factual language.

Many wonderful things can be done with logic. Don’t leave home without it. Don’t analyze information without it. Don’t endure an education without it.

But art and imagination are of another universe(s). They can deploy logic, but they can also invent in any direction without limit, and they can embrace contradiction. They can build worlds in which space and time and energy are quite different.

Magic is nothing more and nothing less than imagination superseding this universe. Magic occurs when imagination takes this reality for a ride.

Which brings us to what I call the Is People. The Is People are dedicated with a fervor to insisting that this Continuum and this consensus reality are inviolable, are the end-all and be-all.

They strive to fit themselves into Is, and this eventually has some interesting negative consequences. They come to resemble solid matter. They take on the character of matter.

For them, imagination is at least a misdemeanor, if not a felony. It’s a blow to the Is of Is. They tend to view imagination as a form of mental disorder.

Technocrats like to gibber about imagination as if it’s nothing more than just another closed system that hasn’t been mapped yet. But they’re sure it will be, and when that happens, people will apparently give up creating and opt for living in a way that more closely resembles machines.

There are many people who secretly wish they were machines that functioned automatically and without flaws. It’s their wet dream.

Magic eventually comes to the conclusion that imagination creates reality. Any reality. And therefore, one universe, indivisible, is an illusion, a way of trapping Self.

What began as the physical universe, a brilliant work of art, ends up as a psychic straitjacket, a mental ward in which the inmates strive for normalcy. Those who fail at even this are labeled and shunted into a special section of the ward.

But the result of imagination, if pursued and deployed long enough and intensely enough, is:

Consensus reality begins to organize itself around you, rather than you organizing yourself around it.

There are various names and labels used to describe this state of affairs, but none of them catches the sensation of it.

Magic is one of those labels.

What I’m describing here isn’t some snap-of-the-fingers trick of manifestation; it’s a life lived.

The old alchemists were working in this area. They were striving for the transformation of consciousness. In true alchemy, one’s past, one’s experience, one’s conflicts all become fuel for the fire of creating new realities. Taken along certain lines, this is called art.

One universe, one logic, one Continuum, one role in that Continuum, one all-embracing commitment to that role, one avenue of perception, one Is…this is the delusion.

And eventually, the delusion gives birth to a dedication to what “everyone else” thinks and supposes and assumes and accepts. This is slavery.

Freeing one’s self, living through and by imagination, is not a mass movement. It’s a choice taken by one person. It’s a new and unique road for each person.

Societies and civilizations are organized around some concept of the common good. The concept always deteriorates, and this is because it is employed to lower the ceiling on individual power rather than raise it.

“Be less than you are, then we can all come together in a common cause.”

It’s essentially a doctrine of sacrifice—everyone sacrifices to everyone else, and the result is a coagulated mass of denial of Self.

It is a theme promoted under a number of guises by men who have one thing in mind: control.

It’s a dictatorship of the soul. It has always existed.

Breaking out of it involves reasserting the power of imagination to invent new and novel realities.

Under a variety of names, this is art.

Promoting the image of the artist as a suffering victim is simply one more way to impose the doctrine of sacrifice.

In 1961, when I began writing and painting in earnest, I had a conversation with the extraordinary healer, Richard Jenkins, whom I write about in my book, The Secret Behind Secret Societies (included in Exit From The Matrix). This is my note from that time about what Richard told me:

“Paint what you want to, no matter what anyone else says. You may not always know what you want to create, but that’s good. Keep working, keep painting. You’ll find your way. You’ll invent something new, something unique, if you don’t give in. You’ll see everything in a new light. Reality is a bad joke. It’s nothing more than what everyone assents to, because they’re afraid. They’re afraid of what people will say. They’re afraid they have far more power than they want to discover. They’re afraid that power will lead them away from common and ordinary beliefs. They’re afraid they’ll become a target for the masses who have surrendered their own lives and don’t want to be reminded of it. They afraid they’ll find out something tremendous about themselves…”

Nothing I’ve experienced in the 50 years since then has diminished what Richard said to me.

These fears are all illusions that disintegrate when a person shoves in his chips on imagination and makes that bet and lives it.

Exit From the Matrix

Here are several notes from the years 1999-2010, while I was preparing my collection, The Matrix Revealed. They take up the subject of reality-construction, mind control, mind freedom, and creative power.

“You have to understand that there are dimensions. In the dimension we call the world, a person needs logic. He needs it badly. He needs to be able to analyze and take apart things and put them back together again. He needs to identify flaws in reasoning and discover deceptions. He needs to recognize formal arguments and trace them all the way through from assumptions to conclusions. But in the dimension where creative power operates, where things happen that most certainly impact this world, all bets are off. He needs to understand and experience and launch a kind of vast freedom for his own imagination that takes him entirely out of the realm of being a normal person, a provincial “realist,” a mechanically thinking human. He has to go light-years past that. He has to stop pretending he is some kind of scientist. In other words, he has to stop burying his own creative power. Two dimensions, two capabilities.”

“Mind control, brainwashing, programming, conditioning all refer to the imposition of systems on the human creative impulse. When you have a whole civilization that, more and more, consists of systems, you have an effort to replace the individual with the group, with the machine.”

“At the highest level, elites are in the business of inventing reality for everyone else. This is more than lying. It’s the wholesale invention of a continuum. Past, present, and future.”

“Imagination is the opposite of mind control. It is creating beyond the boundaries of accepted reality. It is more than perception. Imagination expands perception.”

“Elites are perverse artists who invent reality for everyone else. Part of the plan is convincing everyone else that they can’t invent their own far-reaching reality.”

“Most people define freedom as liberation from certain externally imposed restrictions. But freedom goes much farther than that. It goes beyond how individuals ordinarily define their own existence, their own concerns, their own habits. A person’s own definitions are self-imposed limits. These limits = everything a person does and thinks that excludes imagination.”

The Matrix Revealed

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The individual and his future

The individual and his future

by Jon Rappoport

July 13, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“It’s instructive to read what authors wrote about core values a hundred or two hundred years ago, because then you can appreciate what has happened to the culture of a nation. You can grasp the enormous influence of planned propaganda, which changes minds, builds new consensus, and exiles certain disruptive thinkers to the margins of society. You can see what has been painted over, with great intent, in order to promote tyranny that proclaims a greater good for all.” (The Underground, Jon Rappoport)

Here I present several statements about the individual, written in 19th century America. The authors, Ralph Waldo Emerson, Henry David Thoreau, and James Fenimore Cooper were prominent figures. Emerson, in his time, was the most famous.

“All greatness of character is dependent on individuality. The man who has no other existence than that which he partakes in common with all around him, will never have any other than an existence of mediocrity.” — James Fenimore Cooper

“The less government we have, the better, — the fewer laws, and the less confided power. The antidote to this abuse of [by] formal Government, is, the influence of private character, the growth of the Individual.” — Ralph Waldo Emerson

“The former generations acted under the belief that a shining social prosperity was the beatitude of man, and sacrificed uniformly the citizen to the State. The modern mind believed that the nation existed for the individual, for the guardianship and education of every man. This idea, roughly written in revolutions and national movements, in the mind of the philosopher had far more precision; the individual is the world.” — Ralph Waldo Emerson

“If a man does not keep pace with his companions, perhaps it is because he hears a different drummer. Let him step to the music which he hears, however measured or far away.” — Henry David Thoreau

“They [conformists] think society wiser than their soul, and know not that one soul, and their soul, is wiser than the whole world…Society everywhere is in conspiracy against the manhood of every one of its members….Whoso would be a man, must be a nonconformist…. Nothing is at last sacred but the integrity of your own mind.” — Ralph Waldo Emerson

Can you imagine, today, any of these statements gaining traction in the public mind, much less the mainstream media?

Immediately, there would be virulent pushback, on the grounds that unfettered individualism equals brutal greed, equals (hated) capitalism, equals inhumane indifference to the plight of the less fortunate, equals callous disregard for the needs of the group.

The 19th-century men who wrote those assertions would be viewed with hostile suspicion, as potential criminals, as potential “anti-government” outliers who should go on a list. They might have terrorist tendencies.

Contemporary analysis of the individual goes much further than this.

Case in point: Peter Collero, of the department of sociology, Western Oregon University, has written a book titled: The Myth of Individualism: How Social Forces Shape Our Lives:

“Most people today believe that an individual is a person with an independent and distinct identification. This, however, is a myth.”

Callero is claiming an absence of any uniqueness from person to person. He’s asserting there is no significant distinction between any two people. There aren’t two individuals to begin with. They’re a group.

This downgrading of the individual human spirit is remarkable, but it is not the exception. There are many, many people today who would agree (without comprehending what they are talking about) that the individual does not exist. They would agree because, to take the opposite position would set them on a path toward admitting that each individual has independent power—and thus they would violate a sacred proscription of political correctness.

These are the extreme conformists Emerson was referring to a century and a half ago.

Unable to partake in anything resembling clear thought, such people salute the flag of the Collective, blithely assuming it means “whatever is best for everyone.” Such questions as “who defines ‘best’” and “who engineers this outcome” are beyond their capacity to make distinctions. They rest their proud case in vagueness.

Without realizing it, they are tools of a program. They’re foot soldiers in a ceaseless campaign to promote collectivism (dictatorship from the top) under the guise of equality.

Exit From the Matrix

Let me repeat one of Emerson’s statements: “The antidote to this abuse of [by] formal Government, is, the influence of private character, the growth of the Individual.” The corollary: If there is no widespread growth of individuals and their independent thoughts, actions, and moral consciousness, if they don’t widen their horizons and spheres of influence, then in the long run what check is there on government?

Demeaning the individual is, in fact, an intentional operation designed to keep government power intact and expand its range.

Consider this question: If all opposition to overbearing, intrusive, and illegitimate government were contained in organized groups, and if there were no independent “Emersonian” individuals, what would be the outcome?

In the long term, those groups would stagnate and fail in their missions. They would be co-opted by government. Eventually, all such groups would be viewed as “special needs” cases, requiring “intervention” to “help them.”

That is a future without promise, without reason, without imagination, without life-force.

That is why the individual remains vital; above, beyond, and through any blizzard of propaganda.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

Magic and depression

Magic and depression

A vaccine against magic

by Jon Rappoport

July 8, 2015

OutsideTheRealityMachine

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

“The function of the artist is to provide what life does not.” —Tom Robbins, Another Roadside Attraction

“Those people who recognize that imagination is reality’s master we call ‘sages,’ and those who act upon it, we call ‘artists.’” —Tom Robbins, Skinny Legs and All

In the human psyche, from the moment a newborn baby emerges into the light of day, he/she has a desire for magic.

We are told this is an early fetish that fades away as the experience of the world sets in. As maturity evolves. As practical reality is better understood.

In most areas of psychology, sensible adjustment to practical reality is a great prize to be won by the patient. It marks the passage from child to adult. It is hailed as a therapeutic triumph.

In truth, the desire for magic never goes away, and the longer it is buried, the greater the price a person pays.

A vaccine against a disease can mask the visible signs of that disease, but under the surface, the immune system may be carrying on a low-level chronic war against toxic elements of the vaccine. And the effects of the war can manifest in odd forms.

So it is with the inoculation of reality aimed at suppressing magic.

One of the byproducts of the “reality shot” is depression.

The person feels cut off from the very feeling and urge he once considered a hallmark of life. Therefore, chronic sadness. Of course, one explains that sadness in a variety of ways, none of which gets to the heart of the matter.

It is assumed that so-called primitive cultures placed magic front and center simply because “they couldn’t do better.” They didn’t have science, and they couldn’t formulate a “true and rational” religion with a church and monks and collection plate and a European choir and an array of pedophiles.

Historically, the impulse for magic had to be defamed and reduced and discredited. Why? Obviously, because the Westerners who were poking through ancient cultures had already discredited magic in themselves—they had put it on a dusty shelf in a room in a cellar beyond the reach of their own memory. But they couldn’t leave it alone. They had to keep worrying it, scratching it, and so they journeyed thousands of miles to find it somewhere else—and then they scoffed at it and tried to crush it.

And we wonder why, under the banner of organized religion, there has been so much killing. At a deep level, the adherents know they’ve sold their souls and they’re depressed, angry, resentful, remorseful, and they want to assuage and expiate their guilt through violence.

But the urge for magic is forever.

And yet the charade goes on. While paying homage and lip service to ordinary practical reality seasoned with a bit of fairy-tale organized religion, people actually want to change reality, they want to reveal their latent power, they want to create realities that, by conventional standards, are deemed impossible.

They want to find and use their own magic.

In our modern culture, we’re taught that everything is learned as a system. That, you could say, is the underlying assumption of education. It has far-reaching consequences. It leads to the systematizing of the mind. The mind is shaped to accommodate this premise.

“If I want to know something, I have to learn it. Somebody has to teach it to me. They will teach it as a system. I will learn the system. I will elevate the very notion of systems. Everything will be a system.”

In the long run, that gets you a lump of coal in a sock, a spiritual cardboard box to live in.

The intellectual enrolls at Harvard, he studies anthropology for six years, he flies to a jungle in South America, he digs up remnants of a lost culture, he infers they performed arcane ceremonies six times a week, he writes monographs—and he concludes they were a very picturesque society with fascinating customs and totems, and their brand of magic can best be understood as an inevitable consequence of their matriarchal organization, which itself was an accommodation to rainfall levels.

Back home, the anthropologist takes two Paxil and goes off to teach a class on the meaning of ancient eyebrow trimming in Tierra del Fuego.

Systems are wonderful things. They produce results. They take us into technological triumphs. They help us become more rational. But when they are overdone, when the mind itself becomes shaped like a system, it reaches a dead-end. Then the mind works against the unquenchable desire for magic. Then society is organized as a tighter and tighter system and turns into a madhouse.

And then people say, “Maybe machines can actually think and choose and decide. Maybe machines are alive. What would happen if we grafted computers on to our brains? It might be wonderful.”

People move in this direction after their own minds have been shaped, like putty, into systems. They don’t see much difference between themselves and machines.

The desire for magic in every individual is squelched. So the first order of business is the restoration of imagination, from which all magic flows. Imagination is sitting there, always ready, waiting.

Exit From the Matrix

Imagination is saying, “The mind has been shaped into a system? I can undo that. I can liberate the mind and make it into an adventurous vessel. I can provide untold amounts of new energy.”

Life is waiting for imagination to revolutionize it down to its core.

Since imagination is a wild card that technocrats can’t absorb in their systems, they pretend it a faculty produced by the action of atoms in the brain. They pretend it is a delusion that can be explained by demonstrating, for example, that a machine can turn out paintings. Or poems.

“You see? We don’t need humans to make art. Computers can do just as well. Imagination isn’t mysterious at all.”

Technocracy and transhumanism flow from the concept that the human being is just another machine. And any machine can be made to operate more efficiently.

Meanwhile, imagination waits. It never vanishes. It stands by, just in case an individual decides to live a life that overflows with creative power.

If my work in this area has any organized precedent, it is ancient Tibet where, 1500 years ago, before the priests took over with their interminable spiritual baggage of ritual, practitioners engaged in exercises that engaged imagination to the hilt.

The entire goal was revealing that the Universe was ultimately a product of mind.

This was not about ultimate worship. This was not about some deep substrate in the Universe that one could plug into, to guide his actions and thought. It was about liberating the individual from all systems. It was about endless creation.

The first teachers of this Way came from India, where they had been pushed out of the academies of orthodox religious instruction. They were rebels. They had offloaded the metaphysical labyrinths of control. They were, in a sense, artists. Artists of reality.

They were brilliant riverboat gamblers, and in Tibet, for a time, they found a home.

They found students who, as now, were tired of the preaching designed to make humans into sophisticated mind-machines.

These people wanted more. They wanted to awaken their own imaginations and exceed the illusory boundaries of space and time.

They wanted magic.

Despite every cynical ploy, that desire is still alive.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

The psyop to neuter The Rebel

The psyop to neuter The Rebel

by Jon Rappoport

July 6, 2015

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

If you want to track a civilization as it collapses, watch what happens to the concept of the rebel.

On a profound level, mass shootings and assassinations (whether staged or not) are used to define the ever-present “lone assassin” as the REPRESENTATION AND THE SYMBOL OF WHAT THE INDEPENDENT INDIVIDUAL IS.

You’re a separate and distinct individual? An outsider? Watch out. Overnight, you could turn into a raging killer.

You happen to know an outsider, a loner? He’s dangerous. He doesn’t live by the rules the rest of us accept. He’s deranged. Stay away from him. Shun him. And if you see the slightest indication of (insert your own term here), report him to the authorities.

“See a rebel, say something,” to paraphrase the DHS motto.

Any human being who has courage, intelligence, eyes to see, and a determination to express his power in uncompromising terms can now be redefined as a potential threat to the stability of society—if he criticizes the prevailing Authority.

From the 1960s onward—starting with Lee Oswald and the assassination of JFK—the whole idea of “the rebel” with power has been sequentially updated and repackaged. This is intentional.

The objective is to equate “rebel” with a whole host of qualities—e.g., runaway self-serving paranoia; random destruction; out-of-control drug use; generalized hatred; the commission of crimes—qualities that defeat the very notion of powerful opposition to fascist authority:

On a lesser, “commercialized” level, the new rebel can define himself by merely showing up at a concert to scream and drink heavily and break something, having already dressed to make a dissident fashion statement. He can take an afternoon off from college classes and have his arms tattooed. All the while, of course, he functions as an avid consumer of mainstream corporate products.

You even have people who, considering themselves rebels of the first order, support a government that spies on its people 24/7, launches military attacks all over the world, and now funds a Manhattan Project to map every move of the 100 billion neurons of the brain, for the ultimate purpose of controlling it.

More than ever, the individual has to explore and discover, with intelligence, a position that is FOR himself and AGAINST the concocted and sustained illusion called consensus reality.

When the individual embarks on this path, the external false definitions of him as rebel or outsider or mentally ill or criminal no longer matter. Instead, what matters is his deepest nature.

Even going back as far as the 1950s, the so-called decade of conformity, psyops professionals sculpted notions of The Rebel: He was the person who didn’t want to take part in the emerging bland corporate culture.

He was imagined and presented as troubled, morose, a wobbly unfocused JD Salinger Holden Caulfield, or a beatnik, a Madison Avenue caricature of somebody who opposed Madison Avenue.

In other words, the people who were shaping the consumer culture were creating the image of the rebel as a cartoon figure who just didn’t want to buy into “the good life.”

Time Magazine ran a cover story on the beatniks, and characterized them as a disaffected trend. Marlon Brando, heading up a bunch of moronic motorcycle riders, invaded a town of pleasant clueless citizens and took it over, wreaking destruction. The 1953 movie was The Wild One. James Dean, who had the same trouble Brando did in articulating a complete sentence, was “the rebel without a cause” in the “iconic film” of the same name. He raced cars toward cliffs because his father couldn’t understand him.

These were all puff pieces designed to make rebels look ridiculous, and they worked. They also functioned to transmit the idea to young people that being a rebel should be a showbiz affectation. That worked, too.

Then the 1960s arrived. Flower children, in part invented by the major media, would surely take over the world and dethrone fascist authority with rainbows. San Francisco was the epicenter. But Haight-Ashbury, where the flowers and the weed were magically growing out of the sidewalks, turned into a speed, acid, and heroin nightmare, a playground for psychopaths to cash in and steal and destroy lives. The CIA, of course, gave the LSD culture a major push.

For all that the anti-war movement eventually accomplished in ending the Vietnam war crime, in the aftermath all those college students who had been in the streets—once the fear of being drafted was gone—scurried into counselors’ offices to see where they might fit into the job market after graduation. The military industrial complex took its profits and moved on, undeterred.

The idea of the rebel was gone. It later resurfaced as The Cocaine Dealer, the archangel of the 1980s.

And so forth and so on. All these incarnations of The Rebel were artificially created and sustained as psyops, for the purpose of deflating attempts at genuine and powerful rebellion. And, at bottom, the idea was to discredit the Individual, in favor of The Group.

Now, in our collectivist society of 2015, The Group, as a rapidly expanding victim class, is the government’s number one project. While extolling this group as heroic and in constant need of help, the government is doing everything it can to crash the economy and widen the population of victims. It’s a straight con. “We’re here to make you worse off while we lift you up.”

In the psyop to demean, distort, and squash the rebel, there is a single obvious common denominator: the establishment media are doing the defining; they are the ones who are setting the parameters and making the descriptions; they are the ones who build the cartoons; looking down their noses, pretending to a degree of sympathy, they paint one unflattering picture after another of what the rebel is and does and says; they have co-opted the whole game.

These days, the ultimate rebels, the media would have you believe, are “the Tea Party and their affiliated gun-toting racist bitter clingers who have religion.” Another distorted unflattering portrait, meant not only to drive people away from the Tea Party, but also to prove the guilt, by association, of any person who says the federal government is unconstitutional and out of control.

“All the fascism is on the political Right. There can be no fascism on the Left.” This is the major domestic policy of this administration—this absurd assertion.

The Rebel is real. He has been covered up by media fabrications and caricatures.

You can take a whole host of political films and television series of the past 50 years, and look at them for signs of the Rebel: Seven Days in May, Advise and Consent, The Candidate, The Seduction of Joe Tynan, Dave, Primary Colors, The Contender, Good Night and Good Luck, The American President, West Wing, Scandal, The Newsroom…

Good acting, bad acting, drama, message—at the end you’re looking for the core. What do the rebel heroes really stand for? What are their principles? It’s all bland. It’s vague. It has the posturing of importance, but little else.

As I was finishing this piece, a friend wrote with a quote attributed to Robert Anton Wilson: “The universe is a war between reality programmers.”

This is exactly where the real rebel enters the scene. He’s not trying to program people. Freedom means cutting loose from programming.

The rebel dismantles inhibiting and artificial structures.

He doesn’t go to the market and choose which reality program he wants. They’re all used up as soon as they come out of the package.

The political fancy or trend or program of the moment is a hardened dream somebody borrowed to make mincemeat out of the population. The rebel has no allegiance to any of this.

Albert Camus one wrote: “The welfare of the people in particular has always been the alibi of tyrants, and it provides the further advantage of giving the servants of tyranny a good conscience. It would be easy, however, to destroy that good conscience by shouting to them: if you want the happiness of the people, let them speak out and tell what kind of happiness they want and what kind they don’t want! But, in truth, the very ones who make use of such alibis know they are lies; they leave to their intellectuals on duty the chore of believing in them and of proving that religion, patriotism, and justice need for their survival the sacrifice of freedom.”

“THIS or THAT” is the history of Earth: choose reality program A or B. The choice was always a con.

Exit From the Matrix

We’re well into a time period when the experts and scientific authorities are settling on the human being as a biological machine that can only respond to programming. That’s their view and their default position.

It’s sheer madness, of course, but what else do you expect? We’re in an intense technological age, and people are obsessed with making things run smoother. They treat their precious little algorithms for control like the Crown Jewels. They’re terribly enthusiastic about the problem they’re solving, and that problem is us.

We’re the wild cards, a fact which they take to be result of our improper and incomplete conditioning. They aim to fix that.

There is—and has been, for a long time—a blended sequence in operation: a) observe; b) predict; c) control; d) re-create. “Well, we can see many patterns in this society. So we can make some predictions about what is going to happen. Actually, if we covertly introduce certain elements from the outside, we can control what happens. Why not stop diddling around and just make the whole thing over? Why not reshape humans?”

Having decided that, the battle begins between competing programmers of the mind. Which program for humans is better?

The rebel is against all such programming, no matter how “good and right” it sounds. “Good” and “right” are the traps:

“Well, certainly we could make a list of qualities we want all people to have. You know, the best qualities, like bravery and determination. Who could be against that? So suppose we could actually program such qualities into humans? Wouldn’t that be a fine thing? Then people would just BE that way…”

The ultimate rebellion is against programming, whatever it looks like, wherever it occurs.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.