COVID-19 is the murder of old people

Aug2

In the 1973 film, Soylent Green, a NY police detective discovers that the vastly overcrowded, poverty–stricken population of the city—who are being sustained on processed government food, called Soylent—are now unknowingly eating humans who have died. That’s what Soylent Green is made of. That’s the terrible secret. What’s the secret now? It’s all there in the open-source literature…

by Jon Rappoport

August 2, 2021

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Let’s start here:

The SARS-CoV-2 virus doesn’t exist.

The supposed diagnostic tests are meaningless.

The case numbers are meaningless.

The people who have died have died for multiple reasons, none of which has anything to do with SARS-CoV-2.

I have spent the past year writing over 300 articles, providing compelling evidence for the above assertions.

There are “people who have died who are LABELED COVID deaths.” AKA “official reality.” AKA “official lies.”

Who are these people? By and large, who are they?

Here are two statements. The people DID die, but not because of SARS-CoV-2:

The Kaiser Family Foundation, July 24, 2020: “Adults 65 and older account for 16% of the US population but 80% of COVID-19 deaths in the US…”

AARP, April 1, 2021: “95 percent of COVID-19 deaths in the U.S. have occurred among people who were 50 or older.”

A member of Biden’s coronavirus task force, Dr. Zeke Emanuel, once stated there is no reason people should want to live beyond the age of 75. Just go gently into that good night.

Well, what is called COVID is old people.

My first clue about the elderly came from a report published by Italy’s National Institute of Health during the early days of the “pandemic.” It stated that the average age of people dying from COVID in the country was 79.5. That clue was the size of an aircraft carrier parked outside your house.

Soon after the Italian report, the Institute of Health went dark. No more research was released. No updates. They’d spoken out of school, and someone slapped them in the head.

Open-source press reports revealed the “excess mortality” of 2020 was largely the result of elderly people dying in nursing homes.

This has nothing to do with a virus.

It has to do with patients who are ALREADY on a long downward health slide. They ALREADY have multiple health conditions. For years, even decades, they’ve been pounded with toxic medical drugs, weakening their bodies and shredding their immune systems—

And THEN they’re hit with the TERROR of an arbitrary and fake COVID-19 diagnosis—

And THEN they’re isolated and shut off from family and friends—in facilities where gross neglect and indifference are all too often the “standard of care.”

Death is the direct result.

Forced premature death.

These patients just fold up and die.

The managers of pandemic information tell the big lie. They spin tales about “the virus” having a greater impact on the elderly.

No, the STORY about a virus has the impact. The terror has the deadly impact. The isolation has the deadly impact. The terror and the isolation deliver the final blow.

To an astounding extent, COVID-19 is a NURSING HOME DISASTER.

Mass murder by cruelty.

Memo to financial investigators: Calculate how much money government and private insurers are saving, because they don’t have to keep paying for the long-term care of all the old people who are dying premature deaths in nursing homes. The money number will be staggering.

Tony Fauci knows the con. He knows COVID-19 is old people. People are dying from the fear he promotes. Fauci has no shred of shame. He’s a mouthpiece turned out by Bill Gates and David Rockefeller.

Evil permeates the COVID operation. The elderly in nursing homes are the primary target. Getting them to die earlier is the tactic, in order to pump up the fake COVID mortality numbers.

Without those phony numbers, the whole “pandemic” would be exposed in an hour.

I’ve said there were two key events in the foisting of the whole vicious COVID fiction—the Chinese regime locking down 50 million citizens overnight for no good medical reason, giving the green light to the World Health Organization and the CDC to “follow the new model”; and the Bill Gates-financed computer projection of deaths, put together by Neil Ferguson, who lied through his teeth when he claimed half a million people could die in the UK and two million in the US by the summer of 2020—thus supplying the final “rationale” for the lockdowns.

The third key event was and is the sustained attack on the elderly.

Kill these people with terror and isolation, and make the death numbers escalate.

As of May 22, 2020, Forbes reported that, “…in the 43 states that currently report such figures, an astounding 42% of all COVID-19 deaths have taken place in nursing homes and assisted living facilities.”

Washington Post, May 18, 2020: “The World Health Organization said half of Europe’s covid-19 deaths occurred in such facilities.”

Headline of same Post article: “Canada’s nursing home crisis: 81 percent of coronavirus deaths [in the country] are in long-term care facilities.”

The Guardian, May 16, 2020: “About 90% of the 3,700 people who have died from coronavirus in Sweden were over 70, and half were living in care homes, according to a study from Sweden’s National Board of Health and Welfare at the end of April.”

“The country [Spain] was shocked at the end of March when the defence minister revealed that soldiers drafted in to disinfect residential homes had found some elderly people abandoned and dead in their beds.”

“…the regional governments of Madrid and Catalonia have been publishing their own figures on people who have died in care homes…”

“In Madrid, the total for Covid, or suspected Covid, deaths since 8 March stood at 5,886 on Thursday. In Catalonia, it was 3,375. Between them, care home deaths in the two regions account for more than a third of all the coronavirus deaths in the country.”

And there was a great deal of early warning on the subject, if anyone from public health agencies wanted to pay attention—The Guardian, 13 April, 2020: “About half of all Covid-19 deaths appear to be happening in care homes in some European countries…Snapshot data from varying official sources shows that in Italy, Spain, France, Ireland and Belgium between 42% and 57% of deaths from the virus have been happening in homes, according to the report by academics based at the London School of Economics (LSE).”

These nursing home figures only give a partial picture. Consider the HUGE NUMBER of elderly, already-ill people who are basically in the same situation AT HOME—terrified by COVID propaganda, locked down, isolated; and then die—and also those who manage to make it to a hospital, where they are put on breathing ventilators, heavily sedated, and killed.

The Hill, undated (late April 2020), reported on “data…gathered at Northwell Health, New York state’s largest hospital system. The study, published in the Journal of the American Medical Association (JAMA) examines 5,700 patients hospitalized with coronavirus infections in the New York City region, with final outcomes recorded for 2,634 patients. The average patient age was 63 years old… For the next oldest age group, ages 66 years and older, patients receiving mechanical ventilation recorded a 97.2 percent mortality rate.”

And yet the ventilator death-treatment continues. As does treatment with remdesivir, a highly toxic drug.

The New York Times (June 27, 2020) reported that 43 percent of all US COVID deaths were occurring in nursing homes and other long-term care facilities for the elderly. In at least 24 states, more than 50 percent of all COVID deaths were occurring in these facilities. The Times failed to mention deaths of the elderly at hospitals or, at home, cut off from family and friends. The situation is far worse than the Times made it out to be.

COVID is old people. Pushed into death.

It’s mass murder.

Behind politicians’ and public health officials’ oh so caring directives and demands and declarations and pronouncements, it’s mass murder.

Imagine YOU were 80 years old. For years you’ve been suffering from multiple serious health conditions. For years, doctors have been giving you many toxic drugs, carving up your immune system, weakening your body, affecting your judgement. Along comes a false story about a deadly virus. Every time you turn on the television set, there it is, that fearful story. You’re terrified. Maybe the virus will visit you. And then one day, your doctor gives you a test, or simply eyeballs your clinical symptoms, and says yes, you have it. The virus. You’re infected. Your terror escalates. Your worst nightmare has come true. And suddenly, you’re isolated in your home, alone, or you’re locked up in your room in a nursing home, cut off from family and friends. Day after day, week after week. What would you do?

Chances are, you would see no point in living. You would give up and die.

The operation called COVID is old people. Killing old people.

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his free OutsideTheRealityMachine emails here.

How I put together Power Outside The Matrix

Aug1

by Jon Rappoport

Time and time again, during my 30 years as a reporter, I’ve come across what I call “the elite creation of reality.”

It shows up in areas of politics, energy, modern medicine, media, money, covert intelligence, the military, religion, science, multinational corporations.

It’s as if a painter is working on a mural, and the global population is looking at that mural and seeing it as Reality.

This goes deeper. Much deeper:

Limited concepts of space, time, energy, the mind, cause-and-effect—these, too, are “given” to human beings as the be-all and end-all of a story. A story that ultimately short-circuits and short-changes what the individual is really capable of.

The entire mural of imposed Reality is aimed at radically diminishing the individual’s power.

So in addition to my work as an investigative reporter, I’ve been researching the individual’s ability to go beyond this mural of reality.

In the late 1980s, in concert with the brilliant hypnotherapist Jack True (who gave up doing hypnosis with his patients), I developed many, many exercises and techniques for expanding the creative power of the individual.

Some of those exercises are included in my new collection, Power Outside The Matrix. These techniques are aimed at accessing more energy, more imagination, more stability and intelligence “beyond the mural of reality.”

In fact, Power Outside The Matrix is all about being able to think, act, and create both outside and inside The Matrix. Because that’s the goal: to be able to function in both places.

People are consciously or unconsciously fixated on boundaries and systems. They are hoping for whatever can be delivered through a system.

That is a form of mind control.

But here we are dealing with The New. Old notions of cause and effect don’t apply. The past doesn’t determine the present. The way a religion or a science paints a cosmology is irrelevant.

Freedom isn’t a system.

But freedom needs creative power, otherwise it just sits there and becomes a lonely statue gathering dust in an abandoned park.

At one time or another, every human being who has ever lived on this planet has abandoned his creative power. The question is: does he want to get it back?

It never really goes away. It is always there. It is the basis of a life that can be lived. A life that can be chosen. People instead choose roles that don’t require that power. They think this is a winning strategy.

It isn’t.

Power Outside The Matrix features a long section called: Analyzing Information in the Age of Disinformation.

It’s filled with specific examples of my past investigations. Based on 25 years of experience, it shows you how to take apart and put together data that lead to valid conclusions.

It is far more than a logic course.

It’s an advanced approach to analysis.

Establishing power outside The Matrix requires that a person be able to deal with today’s flood of information, misinformation, and disinformation. I’ve left no stone unturned in bringing you a workable approach to analysis.

There is a further extensive section titled, A Writer’s Tutorial. People have been asking me to provide this Tutorial, and here it is in spades. But it’s not just for writers. It’s for any creative person who wants to grasp his own power, understand it, and use it to reach out into the world.

My Tutorial exposes you to lessons that go far beyond what is normally taught in writer’s seminars. In fact, several core concepts in the Tutorial contradict ordinary writer’s seminars, and thus give you access to inner resources that would otherwise be ignored.

Another section of this mega-collection, titled Power Outside The Matrix and The Invention of New Reality, features creative exercises you do on a daily basis that will help you move toward the goal of power outside The Matrix. The exercises are all about increasing your energy and stability—and about the invention of new spaces.

Access to your internal energy, in huge amounts, is necessary for a life outside The Matrix—rather than relying on the illusory energy that The Matrix seems to provide.

I’ve developed the exercises for exactly that purpose: your energy, your dynamism.

And finally, I have included a number of audio seminars that offer a wider perspective about The Matrix and what it means to live and work outside it.

Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* The complete text (331 pages) of AIDS INC., the book that exposed a conspiracy of scientific fraud deep within the medical research establishment. The book has become a sought-after item, since its publication in 1988. It contains material about viruses, medical testing, and the invention of disease that is, now and in the future, vital to our understanding of phony epidemics arising in our midst (and how to analyze them). I assure you, the revelations in the book will surprise you; they cut much deeper and are more subtle than “virus made in a lab” scenarios.

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download them upon purchase. You’ll receive an email with a link to the entire collection.)

This is about your power. Not as an abstract idea, but as a living core of your being. This is about accessing that power and using it to invent realities without end.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his OutsideTheRealityMachine emails here.

Exit From The Matrix: The surpassing power of imagination

Jul31

by Jon Rappoport

Readers who’ve been with me for a while know I’ve written a great deal about imagination. My collection Exit From the Matrix puts together more than 50 exercises and techniques for expanding the scope, range, and power of imagination.

Why? Because imagination is the quality that outdoes reality. Any kind of reality. Imagination is the infinite road.

Consciousness wants to create new consciousness, and it can. Imagination is how it does it. If there were some ultimate state of consciousness, imagination would always be able to play another card and take it further.

In any arena of life, and especially when it comes to mind, perception, power, empathy, and so on, there is always a status quo. It’s the place where a person says, “Well, that’s enough. I’ll settle for what I have. I’ll stop here.”

Sooner or later, this leads to boredom, frustration, problems, and conflict. It leads to a decline.

Imagination, which knows no bounds, is the source for the most adventurous explorations. It can have great impact on the material world, of course, but one mustn’t therefore conclude it is composed of matter or energy. Imagination is non-material. To think otherwise winds you up in using some version of physics to depict imagination—and then you are imposing limits on it. This is an error. Imagination doesn’t obey any laws of physics.

If imitation is the sincerest form of flattery, we’ve flattered reality enough. It doesn’t need any more. Imagination creates new realities.

You can create the same thing over and over, and eventually you’ll be about as alive as a table. Inject imagination into the mix, and everything suddenly changes. You can steer that boat anywhere you want to. You can build worlds.

The lowest common denominator of consensus implies an absence of imagination. Everyone agrees; everyone is bored; everyone is obedient. On the opposite end of the spectrum, there are massive floods of unique individual creation, and then that sought-after thing called abundance is as natural as the sun rising in the morning.

Sitting around in a cosmic bus station waiting for reality is what reality is. Everything else is imagination.

There are those who believe life is a museum. You walk through the rooms, find one painting, stroll into it and take up permanent residence. But the museum is endless. If you were a painter, you’d never decide to live inside one of your canvases forever. You’d keep on painting.

The relentless and obsessive search for all those things on which we can agree is a confession of bankruptcy.

When we re-learn to live through and by imagination, we enter and invent new space and time. But space and time aren’t superior forces. They come into being at the tap of imagination.

With imagination, one can solve a problem. More importantly, one can skip ahead of the problem and render it null and void.

There are a billion murals on a billion walls, and a person chooses one and falls down before it and devotes himself to it. He spends a thousand years trying to decipher it. So be it. This isn’t imagination.

Imagination isn’t a system. It might invent systems, but it is non-material. It’s a capacity. It feels no compulsion to imitate reality. It makes realities. Its scope is limited only by a person’s imagining of how far imagination can go.

The human race is obsessed by the question: what exists? It appears to be a far easier question than: what do you want to imagine? This comparison explains why civilizations decline.

Imagination is a path. Walking on that path long enough, you find answers to all the questions you’ve ever asked. You also find power that people dream of.

Exit From the Matrix is the realization of those clues, fleshed out, clarified, and embedded in techniques and exercises anyone can do on a daily basis.

Here are the contents of my collection, Exit From The Matrix:

First, my new audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)
And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files, and the documents and books are pdf files. You download the files upon purchase. An email will be sent you with a link to all the materials.)

What has been called The Matrix is a series of layers. These layers compose what we call Reality. Reality is not merely the consensus people accept in their daily lives. It is also a personal and individual conception of limits. It is a perception that these limits are somehow built into existence. But this is not true.

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road.

I invite you to that road.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free emails at NoMoreFakeNews.com or OutsideTheRealityMachine.

Disrupting the story line of the mechanical mind

Jul30

Piero della Francesca, Antoni Gaudi, and Salvador Dali

by Jon Rappoport

July 30, 2021

(To join our email list, click here.)

What city is this
Whose moments tremble
Azure sky and lime lights
Walking in the intersections
Through the squares of paradise

People are solidly addicted to story line. Beginning, middle, end. They want to have it, over and over, in different guises.

The ultimate payoff of that addiction? There is none. Except the need for more.

Propaganda, media, announced government policy, education, religious messages, hundreds of medical treatments—the underlying theme is polished story line. Wrapped up and sold. When the wrong ending looms like a thundercloud, an order to goes out to hide it or lie about it.

When a relentlessly creative individual disrupts story lines, an unlimited number of universes opens up. And every one of them causes tremors in the addict.

“Don’t do that. I don’t understand what you’re doing. Stop. It makes no sense. You’re crazy. Where is the ending? Civilization is going to fall into the sea. What is your message? I can’t find it. Boil down what you’re saying. God will punish you.”

The addict feels his mind is cracking. He runs screaming in the night looking for his next fix.

For example, the open and basically endless poetry of Pablo Neruda, Walt Whitman, William Carlos Williams, and Arthur Rimbaud can have that effect.

So many new worlds moving through the old one.

Why does a story have to have a recognizable plot and a tuned-up climax? Same question: Why does a person need to inject heroin?

Look at Piero della Francesca’s 1464 fresco, Legend of the True Cross—perhaps the greatest painting of the Renaissance. In a series of episodic panels, it traces the mythical history of the wooden cross on which Jesus was crucified. However, there are a number of puzzling “non-linear” representations in Piero’s work, the most famous of which is the panel titled, King Solomon Receiving the Queen of Sheba. What does that meeting have to do with the purported journey of the timber on which Jesus hung?

The Roman Church would claim it is symbolic of an archetypal super-event called The Arrival, and refers to the birth of the Messiah or his later entrance into public life as a teacher; or Sheba had precognitive knowledge of the tree whose wood would be used to make the cross. That’s an extraordinary stretch, to say the least. But it’s typical of a strategy down through the ages: when a promoted story line breaks down, invent a way of claiming it’s still coherent.

Buttress conventional story at all costs.

Mechanical minds will always reduce events, data, history, science, etc., to manageable stories.

Oceanic artists go the other way: they proliferate their work beyond any mechanical limit or summarized interpretation.

Why does that matter? Because, for these artists and their committed audiences, routine day-to-day experience is cracked open like an egg, out of which emerge vital energies of concealed dimensions. Life becomes LIFE.

When I was 21, a friend showed me photos of the architectural productions of the Spanish genius, Antoni Gaudi, scattered throughout Barcelona. My first reaction was, these buildings came from another planet. My second reaction: how was he allowed to build these structures?

Gaudi was a technical innovator of the first order. He developed forms and methods of construction that surpassed the engineering rationale of the great cathedrals of Europe. At the same time, he confounded old ideas of space. The experience of seeing or standing in one of his buildings yielded up the sensation of living in a DIFFERENT KIND OF CONTINUUM.

That new continuum disrupts the story line of consciousness by proliferating a new narrative that has no convenient ending. The old way of seeing has been given a bath in some mysterious dynamo and is vitalized.

Habitual categories and compartments of perception have dissolved.

Who would have known this was possible, unless Gaudi (1852-1926) had lived?

Our world, contrary to all consensus, is meant to be revolutionized by art, by imagination, right down to its core.

That this has not happened is no sign that the process is irrelevant. It is only a testament to the collective resistance.

Who knows how many such revolutions have been shunted aside and rejected, in favor of the consensus-shape we now think of as central and eternal?

We are living in a default structure, the one that has been left over after all the prior revolutions have been put to sleep.

Occasionally, an artist will take on the role of actor and performer, in order to deal with the denizens and mental dwarves of ministries of truth. Over the past hundred years, it would be hard to find an artist who carried out such a program with more skill and verve than Salvador Dali.

Let’s start here. To absorb a work of imagination, one has to use his own imagination.

Since this is considered unlikely, pundits earnestly help us with step-down contexts, so we can understand the work in pedestrian terms. In other words, so we can reduce it to nothing.

Salvador Dali was not content to allow this to happen.

The critics would have declared Dali a minor lunatic if he hadn’t possessed such formidable classical painting skills.

He placed his repeating images (the notorious melting watch, the face and body of his wife, the ornate and fierce skeletal structures of unknown creatures) on the canvas as if they had as much right to be there as any familiar object.

This was quite troubling to many people. If an immense jawbone that was also a rib or a forked femur could rival a perfectly rendered lamp or couch or book (on the same canvas), where were all the accoutrements and assurances of modern comfortable living?

Where was the pleasantly mesmerizing effect of a predictable existence?

Where was a protective class structure that depended on nothing more than money and cultural slogans?

Dali invented vast comedies on canvas. But the overall joke turned, as the viewer’s eye moved, into a nightmare, into an entrancing interlude of music, a memory of something that had never happened, a gang of genies coming out of corked bottles. A bewildering mix of attitudes sprang out from the paintings.

What was the man doing? Was he mocking the audience? Was he simply showing off? Was he inventing waking dreams? Was he, God forbid, actually imagining something entirely new that resisted classification?

Words failed viewers and critics and colleagues and enemies.

But they didn’t fail Dali. He took every occasion to explain his work. However, his explications were handed out in a way that made it plain he was telling tall tales—interesting, hilarious, and preposterous tall tales.

Every interview and press conference he gave, gave birth to more attacks on him. Was he inviting scorn? Was he really above it all? Was he toying with the press like some perverse Olympian?

Critics flocked to make him persona non grata, but what was the persona they were exiling? They had no idea then, and they have no idea now.

It comes back to this: when you invent something truly novel, you know that you are going to stir the forces trapped within others that aspire to do the very same thing. You know that others are going to begin by denying that anything truly NEW even exists. That DOES make the situation a comedy (among other things), whether you want to admit it or not.

It is possible that every statement ever uttered in public by Dali was a lie. A fabrication. An invention dedicated to constructing a massive (and contradictory) persona.

Commentators who try to take on Dali’s life usually center on the early death of his young brother as the core explanation for Dali’s “basic confusion”—which resulted in his bizarre approach to his own fame.

However, these days, with good reason, we might more correctly say Dali was playing the media on his own terms, after realizing that no reporter wanted the real Dali (whatever that might mean)—some fiction was being asked for, and the artist was merely being accommodating.

He was creating a self (or selves) that matched his paintings.

It is generally acknowledged that no artist of the 20th century was superior to Dali in the ability to render realistic detail.

But of course Dali’s work was not about realism.

The most complex paintings—see, for example, Christopher Columbus Discovering America and The Hallucinogenic Toreador—brilliantly orchestrated the interpenetration of various solidities/realities, more or less occupying the same space.

At some point in his career, Dali saw (decided) there was no limit to what he could assemble in the same space—and there was no limit to the number of spaces he could corral into the same canvas. A painting could become a science-fiction novel reaching into several pasts and futures. The protagonist (the viewer) could find himself in such a simultaneity.

Critics have attacked the paintings relentlessly. They are offended at Dali’s skill, which matches the best work of the meticulous Dutch Renaissance masters.

They hate the dissonance. They resent Dali’s mordant wit and rankle at the idea that Dali could carry out monstrous jokes in such fierce extended detail.

But above all, the sheer imagination harpoons the critics. How dare a painter turn reality upside down so blatantly, while rubbing their faces in it.

The cherry on the cake was: for every attack the critics launched at Dali the man (they really had no idea who he was), Dali would come back at them with yet another elaborate piece of fiction about himself. It was unfair. The scholars were “devoted to the truth.” The painter was free to invent himself over and over as many times as he fancied.

Dali was holding up a mirror. He was saying, “You people are like me. We’re all doing fiction. I’m much better at it. In the process, I get at a much deeper truth.”

Dali was the hallucinogenic toreador. He was holding off and skirting the bull (shit) rushes of the critics and the historians. They charged at him. He moved with his cape—and stepped out of the way.

The principles of organized society dictate that a person must be who he is, even if that is a cartoon of a cartoon. A person must be one recognizable caricature forever, must be IDed, must have one basic function. Must—as a civilization goes down the trail of decline—be watched and recorded and profiled.

When a person shows up who is many different things, who can invent himself at the drop of hat, who seems to stand in 14 different places at the same time, the Order trembles.

(Fake) reality declares: what you said yesterday must synchronize absolutely with what you say today.

This rule (“being the only thing you are”) guarantees that human beings will resonate with the premise that we all live and think and work in one continuum of space and time. One. Only one. Forever. The biggest joke of all. The big lie.

Whatever he was, however despicable he may have been in certain respects, Dali broke that egg. Broke the cardinal rule.

He reveled in doing it. He made people wait for an answer about himself, and the answer never came. Instead, he gave them a hundred answers, improvised like odd-shaped and meticulous reveries.

He threw people back on their own resources, and those resources proved to be severely limited.

How harsh for conventional critics to discover that nothing in Dali’s education produced an explanation for his ability to render an object so perfectly on the canvas. It was almost as if, deciding that he would present competing circumstances inside one painting, he perversely ENABLED himself to do the job with exacting skill, “making subversive photographs come to life.”

That was too much.

But there the paintings are.

Imagination realized.

Like it or not, Dali paved the way for many others. He opened doors and windows.

And the pressure has been building. The growing failure of major institutions (organized religion, psychology, education, government) to keep the cork in the bottle signals a prison break in progress.

The pot is boiling. People want out. Even if they don’t know where out is.

Somewhere along the line we have to give the green light to our own creative force. That is the first great day. That’s the dawn of no coerced boundaries. Everything we’ve been taught tells us that a life lived entirely from creative power is impossible. We don’t have it within us. We should maintain silence and propriety in the face of greater official power and wisdom. We must abide by the rules. We must, at best, “surrender to the universe.”

But what if, when we come around the far turn, we see that the universe is us? Is simply one part of imagination? Is a twinkling rendition we installed to keep us titillated with dreams that would forever drift out of reach? What if it turns out that we are the perverse ones and a Dali is quite normal?

What if we pop out of the fences of this culture and this continuum and this tired movie called Planet Earth?

(To read about Jon’s mega-collection, Exit From The Matrix, click here.)

Jon Rappoport

CDC/FDA confess: they had no virus when they concocted the test for the virus

Jul29

by Jon Rappoport

July 29, 2021

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The CDC has issued a document that bulges with interesting and devastating admissions.

The release is titled, “07/21/2021: Lab Alert: Changes to CDC RT-PCR for SARS-CoV-2 Testing.” [1] It begins explosively:

“After December 31, 2021, CDC will withdraw the request to the U.S. Food and Drug Administration (FDA) for Emergency Use Authorization (EUA) of the CDC 2019-Novel Coronavirus (2019-nCoV) Real-Time RT-PCR Diagnostic Panel, the assay first introduced in February 2020 for detection of SARS-CoV-2 only. CDC is providing this advance notice for clinical laboratories to have adequate time to select and implement one of the many FDA-authorized alternatives.”

Many people believe this means the CDC is giving up on the PCR test as a means of “detecting the virus.” I don’t think the CDC is saying that at all.

They’re saying the PCR technology will continue to be used, but they’re replacing what the test is looking FOR with a better “reference sample.” A better marker. A better target. A better piece of RNA supposedly derived from SARS-CoV-2.

CDC/FDA are confessing there has been a PROBLEM with the PCR test which has been used to detect the virus, starting in February of 2020—right up to this minute.

In other words, the millions and millions of “COVID cases” based on the PCR test in use are all suspect.

To confirm this, the CDC document links to an FDA release titled, “SARS-CoV-2 Reference Panel Comparative Data.” [2] [2a] Here is a killer quote:

“During the early months of the Coronavirus Disease 2019 (COVID-19) pandemic, clinical specimens [of the virus] were not readily available to developers of IVDs [in vitro diagnostics] to detect SARS-CoV-2. Therefore, the FDA authorized IVDs based on available data from contrived samples generated from a range of SARS-CoV-2 material sources (for example, gene specific RNA, synthetic RNA, or whole genome viral RNA) for analytical and clinical performance evaluation. While validation using these contrived specimens provided a measure of confidence in test performance at the beginning of the pandemic, it is not feasible to precisely compare the performance of various tests that used contrived specimens because each test validated performance using samples derived from different gene specific, synthetic, or genomic nucleic acid sources.”

Translation: We, at the CDC, did not have a specimen of the SARS-CoV-2 virus when we concocted the PCR test for SARS-CoV-2. Yes, it’s unbelievable, right? And that’s the test we’ve been using all along. So we CONTRIVED samples of the virus. We fabricated. We lied. We made up [invented] synthetic gene sequences and we SAID these sequences HAD TO BE close to the sequence of SARS-CoV-2, without having the faintest idea of what we were doing, because, again, we didn’t have an actual specimen of the virus. We had no proof THERE WAS something called SARS-CoV-2.

This amazing FDA document goes to say the Agency has granted emergency approval to 59 different PCR tests since the beginning of the (fake) pandemic. 59. And, “…it is not feasible to precisely compare the performance of various tests that used contrived specimens because each test validated performance using samples derived from different gene specific, synthetic, or genomic nucleic acid sources.”

Translation: Each of the 59 different PCR tests for SARS-CoV-2 told different lies and concocted different fabrications about the genetic makeup of the virus—the virus we didn’t have. Obviously, then, these tests would give unreliable results.

BUT, don’t worry, be happy, because NOW, the CDC and the FDA say, they really do have actual virus samples of SARS-CoV-2 from patients; they have better targets for the PCR test, and labs should start gearing up for the new and improved tests.

In other words, they were lying THEN, but they’re not lying NOW. They were “contriving,” but now they’re telling the truth.

If you believe that, I have Fountain of Youth water for sale, extracted from the lead-contaminated system of Flint, Michigan.

Here, once again, I report virology’s version of “we isolated the virus”: [[3] thru [3i]]

They have a soup they make in their labs.

This soup contains human and monkey cells, toxic chemicals and drugs, and all sorts of other random genetic material. Because the cells start to die, the researchers ASSUME a bit of mucus from a patient they dropped in the soup is doing the killing, and THE VIRUS must be the killer agent in the mucus.

This assumption is entirely unwarranted. The drugs and chemicals could be doing the cell-killing, and the researchers are also starving the cells of vital nutrients.

There is no proof that SARS-CoV-2 is in the soup, or that it is doing the cell-killing, or that it exists.

Yet the researchers call cell-death “isolation of the virus.”

To say this is a non-sequitur is a vast understatement. In their universe, “We have the virus buried in a soup in a dish in the lab” equals, “We’ve separated the virus from all surrounding material.”

Virology equals “how to spread bullshit for a living and scare the world.” Other than that, it’s perfect.

SOURCES:

[1] https://www.cdc.gov/csels/dls/locs/2021/07-21-2021-lab-alert-Changes_CDC_RT-PCR_SARS-CoV-2_Testing_1.html

[2] https://www.fda.gov/medical-devices/coronavirus-covid-19-and-medical-devices/sars-cov-2-reference-panel-comparative-data

[2a] https://www.cdc.gov/csels/dls/locs/2020/fda_updates_the_sars-cov-2_reference_panel_comparative_data.html

[3] blog.nomorefakenews.com/2020/12/18/sars-cov-2-has-not-been-proven-to-exist/

[3a] blog.nomorefakenews.com/2021/01/26/sars-cov-2-has-not-been-proven-to-exist-shocking/

[3b] blog.nomorefakenews.com/2021/04/21/isolation-of-sars-cov-2-refuted-in-step-by-step-analysis-of-claim/

[3c] blog.nomorefakenews.com/2021/04/26/the-non-existent-virus-and-the-implications/

[3d] blog.nomorefakenews.com/2021/05/20/the-pandemic-virus-that-doesnt-exist/

[3e] blog.nomorefakenews.com/2021/05/21/more-on-the-coronavirus-that-doesnt-exist-and-the-pink-demon/

[3f] blog.nomorefakenews.com/2021/05/31/wuhan-lab-bioweapon-gain-of-function-but-the-virus-doesnt-exist/

[3g] andrewkaufmanmd.com

[3h] drtomcowan.com

[3i] greatreject.org/dr-stefan-lanka-claims-about-viruses-are-false

(To read about Jon’s collection, Power Outside The Matrix, click here.)

Jon Rappoport

Open letter to Curtis Sliwa and all New Yorkers: fight tyranny or stay down on your knees and suffer the destruction of the greatest city in the world

Jul28

by Jon Rappoport

July 28, 2021

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You’re Curtis Sliwa.

You’re the head of the Guardian Angels, the group you founded in 1979. Unarmed, you and your people made citizens’ arrests of scores of criminals in New York.

In 1992, you got into a cab in Manhattan, and two mob thugs shot you five times. You escaped. You survived.

Insufficient courage is not a problem you have.

Now you’re running for the office of Mayor of New York. You’ve got nothing more than a desperate puncher’s chance.

Unless you and most of New York wake up to what’s happening to the City, the City is doomed. It’s going to turn into a desolate hulk, a garbage dump of crime and poverty.

I was born in New York. I lived there long enough to know what a great city is all about. That was 60 years ago. Those people are gone.

Now there is a COVID war. I’m talking about the masks and distancing and lockdowns and the massive destruction of businesses and now the expanding vaccine mandate. The people of the City have gone down on their knees to De Blasio and Cuomo and the public health predators.

The bottom line is, Curtis, people either come out into the streets by the hundreds of thousands and say ENOUGH, or the whole show—the whole City—is over.

Beyond a certain point, no matter what you believe this pandemic is or isn’t, you and the rest of New York have to live your lives out in the open, come hell or high water.

NO perceived threat justifies the imprisonment that has been put on the citizens of the City.

You have to see this, Curtis, and you have to go directly to the people and challenge them. Live, or fold up and die.

You have the courage, Curtis. The question is, do you see what’s there in front of you, what’s been there in front of you for the past year?

You have to know there was a time when the people would have shaken off the COVID restrictions and the vaccine mandate like a bad dream and gone about their business. New York would never have bowed down in fear before political tyrants, with barely a whimper.

Now they have. Now many of them are proud of their self-styled sacrifice. They worship the government as if it were a god who is going to keep bailing them out. This is their delusion.

You have to be the revolutionary you once were, Curtis, when you and your people boarded subway trains late at night and defended citizens against criminals because the cops couldn’t or wouldn’t.

The stakes are much bigger this time. Basic freedom. Survival. But you have to SEE that. You can’t pretend the dragon of fascist control isn’t there.

You have to shove the truth in people’s faces. You have to get into their minds and souls and say, DO YOU WANT TO LIVE? LIVING IS COMING OUT OF YOUR HOMES AND TAKING TO THE STREET. A MILLION OF YOU WHO’VE HAD ENOUGH. ENOUGH OF THE LOCKDOWNS AND FORCED VACCINATIONS AND ENOUGH OF THE THREATS OF MORE QUARANTINES.

I don’t know, Curtis. Maybe you’re over the hill. Maybe you’ve become politically institutionalized. I hope to heaven that’s not true. It’s time to land the desperate punch. If you can. If you will.

Remember the old days, when you had half the City in your hand? You, a private citizen, with no big-time official backing? You saw who the bad guys were, you saw they were going free, and you and your friends busted them. Who the hell else in New York would have done that?

Do you still have the electricity?

Rain, snow, floods, wind, crime; people live and go on. COVID is no different, no matter what the bought-off experts say. This is what I’m telling you, Curtis. New York is under a spell. It’s under de facto martial law. It’s in prison and the threat of prison. This isn’t science, it’s tyranny.

There’s plenty of science to show the fascist regulations have been harming and killing far more people than a supposed virus.

You’re 67 now, Curtis. You’re in the ring up against a machine fighter. Puncher’s chance. If your mind’s been twisted, and somehow you think the political bureaucracy of New York can be tuned up to do good, the machine fighter in the ring HAS the bureaucracy in his CORNER. Take a look. Can you see it?

The odds of you winning the race for Mayor are ten thousand to one against. So why not go into a crouch, pick your spot, and swing from the heels? Do it in front of the crowd, so they can see courage one more time. You never know.

Moments have ripples.

Things are never exactly what they seem to be. The book is not completely closed.

Out of the dark walks a puncher who throws caution to the winds. That’s you, Curtis. It has to be.

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

The new COVID squeeze play, hustle, con; it’s a variation on the old one, all dressed up with nowhere to go—except fascist tyranny

Jul27

by Jon Rappoport

July 27, 2021

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Question: How dangerous is the Delta Variant?

Answer: There is no Delta Variant. Because there is no original SARS-CoV-2 virus.

Question: Why are we hearing that the majority of new cases of COVID-19 are occurring in the unvaccinated?

Answer: “A case” means a positive PCR test. The test doesn’t detect a virus. There is no virus. But since people who test positive are called cases…think it through. People who have been vaccinated are far less likely to get tested than people who haven’t been vaccinated. Therefore, it’s going to look like “most new cases” are occurring in the unvaccinated.

Furthermore, the CDC instituted a change in the way vaccinated people are then tested. The sensitivity of the test has been reduced for them—which means fewer results indicating “infection with the virus.” This is outright manipulation. Unvaccinated people are still tested at higher sensitivity, meaning more of them will seem to be “infected.”

Question: Experts say the vaccine may not prevent infection with the virus, but it will greatly reduce the chance of serious illness or hospitalization. True?

Answer: False. First of all, this is a vaccine to protect against a virus that doesn’t exist. Second, the 3 major clinical trials of the vaccine were only designed to show the vaccine could protect against mild disease, such as a cough, or chills and fever.

Question: Across the world, political leaders are threatening or ordering new lockdowns, saying too many people are refusing the vaccine. Is this anything other than a pressure tactic to force people to take the shot?

Answer: It’s exactly a pressure tactic to justify mandating, forcing, shaming, quarantining.

Question: Regardless of whether the vaccine is necessary or effective, is it safe?

Answer: Here are the latest CDC figures I have, as compiled by Children’s Health Defense. The statistics are taken from VAERS, the federal Vaccine Adverse Event Reporting System. “VAERS data released today by the CDC showed a total of 463,457 reports of adverse events from all age groups following COVID vaccines, including 10,991 deaths and 48,385 serious injuries between Dec. 14, 2020 and July 9, 2021.”

There are two chronic problems with VAERS. The reports of injuries have not been studied to determine which injuries stemmed from a vaccine and which didn’t. And there is vast underreporting of injuries, because most Americans don’t know what VAERS is or are hesitant to make a report. By far, the second problem is the larger one—underreporting.

Some analysts have suggested that, to get a reasonably accurate count, you should multiply reported numbers by 10.

The well-known 2010 Harvard Pilgrim Health Care, Inc. study of VAERS bluntly stated: “Adverse events from vaccines are common but underreported, with less than one percent reported to the Food and Drug Administration (FDA). Low reporting rates preclude or delay the identification of ‘problem’ vaccines, potentially endangering the health of the public.”

Following the finding of that study, you could multiply the number of reported vaccine injuries by 100 to arrive at a proper figure.

The numbers of vaccine injuries and deaths are huge. In any situation other than the current fake pandemic, the vaccination program would have been stopped. Cancelled.

Question: There are reports of many new COVID cases in areas or states which didn’t apply strict COVID measures early on in 2020. Are these reports legitimate?

Answer: First of all, there are no COVID cases, because there is no virus. Second, the “number of cases” can be manipulated by changing the sensitivity of the PCR test, which in turn changes the test result. The relatively few honest politicians in the world should carefully investigate this possibility, if “case numbers” in their area suddenly rise.

SOURCES:

ONE: The SARS-CoV-2 virus doesn’t exist.

blog.nomorefakenews.com/2020/12/18/sars-cov-2-has-not-been-proven-to-exist/

blog.nomorefakenews.com/2021/01/26/sars-cov-2-has-not-been-proven-to-exist-shocking/

blog.nomorefakenews.com/2021/04/21/isolation-of-sars-cov-2-refuted-in-step-by-step-analysis-of-claim/

blog.nomorefakenews.com/2021/04/26/the-non-existent-virus-and-the-implications/

blog.nomorefakenews.com/2021/05/20/the-pandemic-virus-that-doesnt-exist/

blog.nomorefakenews.com/2021/05/21/more-on-the-coronavirus-that-doesnt-exist-and-the-pink-demon/

blog.nomorefakenews.com/2021/05/31/wuhan-lab-bioweapon-gain-of-function-but-the-virus-doesnt-exist/

andrewkaufmanmd.com

drtomcowan.com

greatreject.org/dr-stefan-lanka-claims-about-viruses-are-false/

TWO: The 3 major clinical trials of the COVID vaccine were only designed to prove the vaccine could protect against mild illness.

blog.nomorefakenews.com/2020/11/11/covid-vaccine-revelation-sinks-like-a-stone-disappears/

blog.nomorefakenews.com/2021/05/26/covid-vaccine-revelation-sinks-like-a-stone/

THREE: The results of the PCR test can be manipulated by changing the sensitivity of the test.

blog.nomorefakenews.com/2021/02/22/fauci-states-covid-pcr-test-has-fatal-flaw-confession/

FOUR: If there is no virus, why are people getting sick and dying?

blog.nomorefakenews.com/2020/04/01/covid-its-not-one-thing-its-not-one-disease/

blog.nomorefakenews.com/2020/05/21/corona-never-died-dying-now-must-be-the-virus/

blog.nomorefakenews.com/2021/01/29/covid-if-there-is-no-virus-why-are-people-dying/

blog.nomorefakenews.com/tag/dying/

blog.nomorefakenews.com/2020/06/24/covid-behind-the-global-nursing-home-disaster-and-the-case-number-scam/

blog.nomorefakenews.com/2020/09/03/how-many-people-have-psychological-covid/

blog.nomorefakenews.com/2020/06/26/soylent-green-is-people-covid-19-is-old-people/

blog.nomorefakenews.com/2020/06/30/death-by-killing-old-people-not-covid-the-basic-deception/

blog.nomorefakenews.com/2020/11/23/soylent-green-is-peoples-covid-19-is-old-peoples/

blog.nomorefakenews.com/2021/01/29/covid-if-there-is-no-virus-why-are-people-dying/

FIVE: The CDC has reduced the sensitivity of the PCR test for people who are already vaccinated—which will give the impression of fewer “infections with the virus” among the vaccinated.

blog.nomorefakenews.com/2021/02/22/fauci-states-covid-pcr-test-has-fatal-flaw-confession/

blog.nomorefakenews.com/2021/05/26/covid-vaccine-revelation-sinks-like-a-stone/

SIX: The Harvard Pilgrim study on VAERS underreporting.

digital.ahrq.gov/ahrq-funded-projects/electronic-support-public-health-vaccine-adverse-event-reporting-system

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

Vaccine Woman

Jul26

by Jon Rappoport

July 26, 2021

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there was no way to deny it or get around it
her little boy started screaming after the shot
and then 2 days later
the world shut down

he sat in a corner
he lay in his bed
he didn’t speak

the doctor huffed and puffed in back of his steady blank eyes
he assured her this had nothing to do with the shot
it was a predisposition or a genetic trait or a precondition

he smiled now and then
he said autism could have emerged on its own just after the shot was given
as if the universe rearranged itself
at that moment

she saw she was talking to a psychopath
he had been a machine for a long long time

she went into the darkness and pled her case before a government committee
they sat like ancient priests
and listened and glanced at documents
and when they had permitted her the allotted time they handed down their judgment:

she went home and took her boy in her arms
he was still
he didn’t look at her
he didn’t speak

she consulted a lawyer
who told her
the manufacturer was protected by an iron wall
he would continue to make the vaccine and sell it
and pocket billions

the long night was closing in
the storm was here
the silent boy was sitting in its eye

rage was burning in the middle of her chest

a rage the public would see as insanity

from a distance, the moon and the stars might know
what was going on
but people in their everyday straitjackets
would lash out at her
because they needed a target
they needed to ridicule a defector from their own slave-shuffle

they obeyed all the small print
they were neutered in their cores
paralytics

but she wields
the two-edged sword in the empire

that cuts away the web
and comes to the spider

no matter what defamation
the intermediary whores
lay at her door

liberty from the living death…Vaccine Woman

She and her family are pre-civilization, civilization, and

Post-civilization

And she will bare the innards of the crime

Her enemies will never know

What it means to have her mission

Vaccine Woman

Love in her breast for her own is one answer

Justice is another

She has a two-edged sword in the Empire

That cuts through the web

And comes to the spider

###

(To read about Jon’s mega-collection, The Matrix Revealed, click here.)

Jon Rappoport

Human psychodrama on the world stage: Power Outside the Matrix

Jul25

Emerging from the dead-end

As the drama called Human Life on Planet Earth advances in the 21st century, we are seeing an escalation of lower-brain emotional responses to events. And this is according to plan.

I want to emphasize the underlying propaganda message. It’s very important to understand that message:

“As more and more people are unable and unwilling to employ logic and rationality, those qualities diminish in importance, and you should abandon them because…they don’t serve you. They aren’t useful.”

You can see where this would lead. More and more people would surrender to their own stimulus-response mechanisms, and the overall level of chaos would increase and expand.

There is no situation in which you should abandon your own ability to employ reason and rationality, no matter what other people are doing. Their surrender should not become an excuse for you deserting your own power on any level.

The two most formidable individual powers are logic and imagination.

Logic is essentially grounding and stabilizing. It allows you to analyze any situation or cluster of information and see through to its validity or invalidity, beyond deception.

Imagination takes you soaring. It allows you to see your greatest vision for your life—and therefore act toward its fulfillment.

Others around you may be succumbing to their own misperceptions and lack of energizing spirit—but that doesn’t mean you have to.

And as an aside, if you decide you want to help those you care about and lift them up, try doing it without logic and imagination and see how far you get.

All this is preface and prelude. It occupied me for more than a decade of research and investigation, as I saw the human psychodrama entering a new phase. Its hallmark was random emotional reaction.

Nothing wrong with emotions, but entering a space where they take you from pillar to post, sucking up and draining energy, while producing no visible progress along the line of fulfilling goals…that’s not a good thing at all. It eventually ends up paralyzing the individual, who retreats from his most profound ambitions.

This was the setting in which I developed my third collection, Power Outside The Matrix. Here is a description of its contents:

This mega-collection is all about achieving power outside The Matrix and stabilizing that power.

It features a long section called: Analyzing Information in the Age of Disinformation.

This section is filled with specific examples of my past investigations. Based on 25 years of experience, it shows you how to take apart and put together data that lead to valid conclusions.

It is far more than a logic course.

It’s an advanced approach to analysis.

Access to your internal energy, in huge amounts, is necessary for a life outside The Matrix—rather than relying on the illusory energy that The Matrix seems to provide.

This is a key fact. I’ve developed the exercises for exactly that purpose: your energy, your dynamism, independent and self-sufficient.

And finally, I have included a number of audio seminars that offer a wider perspective about The Matrix and what it means to live and work outside it.

Here are the particulars. These are audio presentations. 55 total hours.

* Analyzing Information in the Age of Disinformation (11.5-hours)

* Writer’s Tutorial (8.5-hours)

* Power Outside The Matrix and The Invention of New Reality (6.5-hours)

Then you will receive the following audio presentations I have previously done:

* The Third Philosophy of Imagination (1-hour)

* The Infinite Imagination (3-hours)

* The Mass Projection of Events (1.5-hours)

* The Decentralization of Power (1.5-hours)

* Creating the Future (6-hours)

* Pictures of Reality (6-hours)

* The Real History of America (2-hours)

* Corporations: The New Gods (7.5-hours)

I have included an additional bonus section:

* A 2-hour radio interview I did on AIDS in Dec 1987 with host Roy Tuckman on KPFK in Los Angeles, California.

* My book, The Secret Behind Secret Societies

(All the audio presentations are mp3 files and the books are pdf files. You download them upon purchase. You’ll receive an email with a link to the entire collection.)

At the core of consciousness, there are two impulses in the individual. The first is: give in, surrender. The second is: express power.

The teaching of every civilization and society is: don’t use your power.

When you follow the second path, when you express your power without limits, remarkable things happen.

The veil of illusion melts away.

You meet yourself on new ground.

You know what your freedom is for.

Without imposing on the freedom of others, you live the life you always wanted.

That’s what Power Outside The Matrix is all about.

Jon Rappoport

The author of three explosive collections, THE MATRIX REVEALED, EXIT FROM THE MATRIX, and POWER OUTSIDE THE MATRIX, Jon was a candidate for a US Congressional seat in the 29^th District of California. He maintains a consulting practice for private clients, the purpose of which is the expansion of personal creative power. Nominated for a Pulitzer Prize, he has worked as an investigative reporter for 30 years, writing articles on politics, medicine, and health for CBS Healthwatch, LA Weekly, Spin Magazine, Stern, and other newspapers and magazines in the US and Europe. Jon has delivered lectures and seminars on global politics, health, logic, and creative power to audiences around the world. You can sign up for his free NoMoreFakeNews emails here or his OutsideTheRealityMachine emails here.

Exit From The Matrix: When the individual creates

Jul24

by Jon Rappoport

Consider this notion: “Nothing new is really created. The person is remembering something, or he is building on prior knowledge by adding a next ‘logical’ step in a long historical process.”

Why make these assertions?

Because if a person were actually creating something new, where did it come from? It couldn’t come from “nowhere.” It must have already been “there,” in some sense.

That may be the majority opinion, but NO, that’s not the case. A PERSON CAN AND DOES CREATE SOMETHING NEW. IT COMES FROM HIM, FROM HIS IMAGINATION.

And imagination is not a thing. It isn’t a gland or an organ or a section of wiring in the brain. It’s not made of matter. It’s a quality, a non-material quality. So in that sense, yes, an individual DOES create from nothing.

Remembering and adding a step to established prior knowledge may well be part of the process of creating in some cases, but in EVERY case there is a NEWNESS that occurs, that is invented. It cannot be explained by claiming it was “already there.”

This irritates scientists and materialists to the nth degree. So they ignore it. They pretend they understand everything about imagination. They don’t have a clue.

In fact, the deeper you explore the concept of freedom, the more you realize that creating something new, and creating that occurs outside a tight chain of prior cause and effect, are very much a part of what freedom means. Understanding these factors should be liberating.

There are several other phenomena that are closely related to “creating from nothing.” They are spontaneous insight and spontaneous invention. They occur in a flash, in the moment. They can’t be reduced to “logical implications in a chain of cause and effect.” They can’t be reduced at all.

And then there is this—I’ll refer to it through an experience I had in 1963, when I was living and painting in a small studio in Los Angeles. One night I was sitting at my table staring at a blank sheet of paper. I had a pencil in my hand. Suddenly, my mind was empty and crystalline. I knew in my bones, as clearly as I knew I was sitting there, that I had unlimited choices. There was no boundary on what I could draw. I was ecstatic. I made a shape on the paper. The immediate novelty of it was overwhelmingly joyous. I kept making shapes on the paper. The emerging drawing held, for me, the core of what I needed to know about life: every moment could be marvelously unhindered and free. I was always on the cusp of being able to choose a future; and being in that position, in the moment, was an experience of unrivaled beauty. Never again would I think of freedom in a dry clinical way.

These are some of the reasons why I assembled my collection, Exit From The Matrix. The imagination exercises I include, which I developed over a period of 15-20 years, are intended to illuminate the experience of CREATING and FREEDOM.

Here are the full contents of my mega-collection Exit From The Matrix. You can order it here:

First, my audio presentations:

* INTRODUCTION: HOW TO USE THE MATERIALS IN EXIT FROM THE MATRIX

* EXIT FROM THE MATRIX

* 50 IMAGINATION EXERCISES

* FURTHER IMAGINATION EXERCISES

* ANESTHESIA, BOREDOM, EXCITEMENT, ECSTASY

* ANCIENT TIBET AND THE UNIVERSE AS A PRODUCT OF MIND

* YOU THE INVENTOR, MINDSET, AND FREEDOM FROM “THE EXISTENCE PROGRAM”

* PARANORMAL EXPERIMENTS AND EXERCISES

* CHILDREN AND IMAGINATION

* THE CREATIVE LIFE AND THE MATRIX/IMAGINATION

* PICTURES OF REALITY AND ESCAPE VELOCITY FROM THE MATRIX

* THIS WOULD BE A VERY DIFFERENT FUTURE

* MODERN ZEN

* THE GREAT PASSIONS AND THE GREAT ANDROIDS

Then you will receive the following audio seminars I have previously done:

* Mind Control, Mind Freedom

* The Transformations

* Desire, Manifestation and Fulfillment

* Altered States, Consciousness, and Magic

* Beyond Structures

* The Mystery and Magic of Dialogue

* The Voyage of Merlin

* Modern Alchemy and Imagination

* Imagination and Spiritual Enlightenment

* Dissolving Stress

* The Paranormal Project

* Zen Painting for Everyone Now

* Past Lives, Archetypes, and Hidden Sources of Human Energy

* Expression of Self

* Imagination Exercises for a Lifetime

* Old Planet, New Planet, New Mind

* The Era of Magic Returns

* Your Power Revealed

* Universes Without End

* Relationships

* Building a Business for Success

I have included an additional bonus section:

* My book, The Secret Behind Secret Societies (pdf document)

* My book, The Ownership of All Life (pdf document)

* A long excerpt from my briefly published book, Full Power (pdf document)

* My 24 articles in the series, “Coaching the Coaches” (pdf document)

And these audio seminars:

* The Role of Medical Drugs in Human Illness

* Longevity One: The Mind-Body Connection

* Longevity Two: The Nutritional Factors

(All the audio presentations are mp3 files and the documents and books are pdf files. You download the files upon purchase. There is no physical ship.)

What I’ve done here is remove the lid on those perceived limits. This isn’t an intellectual undertaking. It’s a way to open up space and step on to a new road, with new power.

Jon Rappoport